影片推薦
盛夏假期遇見愛
艾米麗·巴德,湯姆·布萊斯,莎拉·凱瑟琳·胡克 ,盧錫安·拉維斯科特,邁爾斯·赫爾澤,賈米拉·賈米爾,湯米·杜,盧卡斯·蓋奇,愛麗絲·李,莫莉·香儂,阿蘭·盧克,斯賓瑟·內維爾,伊恩·波特,馬德琳·阿庫阿,約翰·賈巴雷,貝瑟妮·安妮·林德,邁克爾·A·紐科默,勞拉·弗蘭納里,萊頓·威廉姆斯,埃米·勒教皇行動
卡羅利娜·格魯什卡,博古斯瓦夫·林達,伊雷紐什·喬普我家的律師又惹麻煩了
室毅,木南晴夏,吉瀨美智子,菅野莉央,日向亙,入山法子,東根作壽英,本多力,早瀨憩,安達祐實,村川繪梨,松尾諭,時任三郎,酒向芳,戶田惠子,渡部篤郎,濱津隆之男孩2026
趙炳奎,柳仁秀,崔允珍,徐仁國兩個心臟
金宣兒,馬東錫,李清娥,鄭仁基,樸孝朱,申正根黑域封鎖
特瓦納·巴尼特,邁克·弗格森,LeeAnne Bauer同類精選
布袋人
山姆·克拉弗林,安東尼婭·托馬斯,威廉·霍普,史蒂芬·克里,弗蘭基·科里奧,阿黛爾·萊昂斯,亨利·佩迪格魯,莎倫·D·克拉克,尼爾·林波,Jordan Gubian,Will Davis,Caréll Vincent Rhoden中國橋
馬躍加美拉對深海怪獸吉古拉
坂上也寸志,グロリア?ゾーナ,坪內ミキ子,藤山浩二,佐伯勇,笠原玲子,吉田義夫,八並映子,アーリン?ゾーナ,夏木章,三夏伸,九段吾郎,井上大吾,喜多大八,中原健啄木鳥和雨
役所廣司,小栗旬,高良健吾,臼田麻美,伊武雅刀,山崎努Kill Tony:笑鬧德州
托尼·欣奇克利夫119緊急呼叫2026 橫濱大停電
清野菜名,瀨戶康史,見上愛,一之瀨颯,前原滉,中村友理,佐藤浩市,酒井大成,三浦獠太,堀內敬子,遠山俊也,長野博,莉子,柏原收史,丸山禮影視排行
絕世好Bra
古天樂,劉青云,梁詠琪,劉嘉玲,李珊珊,青山知可子,卓韻芝,莫文蔚,谷祖琳,馮德倫,田蕊妮,譚耀文日本著名胸圍公司的香港區總裁Samantha(劉嘉玲 飾)破例聘請了Johnny(劉青云 飾)和Wayne(古天樂 飾)兩名男設計師。他們的上司高級設計師Lena(梁詠琪 飾)覺得他們根本無法勝任這份工作,因此常常刁難他們。公司要求他們設計出一款“絕世好Bra”,可是多次失敗。 在工作的過程中,Johnny和Wayne分別與Smantha和Lena產生了感情,最后他們也在各自女友的幫忙下,才最終把“絕世好Bra”設計成功。
彈道無痕
趙巖松,陳大偉,王玉璋,劉大偉,魏琦根據徐貴祥同名小說改編。 鐵匠的兒子石平陽帶著父親的囑托參軍來到炮兵部隊。他的一股沖勁,受到營長莊必川的喜愛,老班長李四虎更喜歡石平陽不服輸的勁頭。李四虎是技術尖子,他對新戰士訓練十分嚴格,新戰士進步很快。他把石平陽視作接班人,要在自己退伍之前把經驗全部傳授給石平陽,甚至以故意裝病,讓石平陽獨立完成訓練課目。石平陽進步很快,年終還榮立了三等功。和他一起入伍的女兵張媚對他也另眼看待。教導隊招收骨干,進教導隊就能報考軍校,成為軍官。營長擔心比武缺了石平陽影響成績,因此改派與石平陽一同入伍的王北風去了教導隊。機會得而復失,石平陽有些想不通。父親去世了,指導員讓他回家料理,但他走到半路,想起父親的囑托,毅然返回連隊。李四虎復員了,石平陽接任班長,他把老班長的好傳統全部繼承下來,愛兵、愛炮、愛部隊,技術精益求精。同時入伍的王北風和張媚進了軍校,石平陽仍然當班長。排長調走了,石平陽任代理排長,這時,他入伍已有八年。團里為了留住他,讓他準備報考軍校。就在這時,新戰士劉發展一封雖事出有因但嚴重失實的告狀信,使他又失去了上軍校的機會。石平陽要復員了,副團長莊必川舍不得他離開,從車站把他接回,團黨委特別決定把他留下。石平陽又回到排里,他對劉發展更嚴格、更耐心訓練和要求,使劉發展深感內疚。幾年后,參謀王北風到部隊檢查工作,見到石平陽仍是上士,不免生出許多感觸。在集團軍的軍事演習中,石平陽指揮火炮群的準確射擊,令首長和指揮員們贊嘆不已。石平陽多年操縱的火炮由新式火炮取代了,他雖有些戀戀不舍,但他立即和戰友們開始學習掌握新的火炮,迎接新的挑戰。不久,石平陽被破格提拔為中尉連長。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
要是晴天就好了
永野芽郁,芳根京子,萩原利久,江口德子,稻垣吾郎,倍賞美津子,吉行和子,藤間爽子,豐島花,富山繪里子,布施千賀子,高橋努,白本彩奈,宮澤美保本劇改編自自身也有護士經驗的藤岡陽子所著同名小說。故事發生在1945年的菲律賓,穿越時空的主人公,在戰爭時期物資匱乏、與死亡相伴的殘酷狀況下,與同伴們一起不失去希望地生活著,通過每天的生活,逐漸找回生存的力量。