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德爾蘇·烏扎拉
馬克西姆·蒙祖克,尤里·索洛明,斯韋特蘭娜·丹尼爾琴科愉快動物餅干電影版
松田元太,水上恒司,高石明里,藤森慎吾,蒼井翔太,小澤亞李,水瀨祈,東山奈央,立木文彥,間宮胡桃煉獄校園
賈瑞德·科恩,Kelly McCart,Katrina Grey,Kat Ingkarat,Anastasia Maslova,Panipak Jaemmangkang,Suebpong Kulsathaporndhai,Matt Milotich,Christiana Chaiwanna,Chaleeya Kaawjinda,Patita Seeda,Sivakorn Virojanadul隱藏殺手2
Raphael Sbarge,Kate Hodge博格曼
揚·貝弗特,哈德維奇·米尼斯,杰羅恩·佩瑟瓦爾,亞歷斯·馮·華麥丹,湯姆·德威斯布萊爾,莎拉·約爾特·蒂特萊芙瑟,安妮特·馬爾赫畢犯罪讀者俱樂部
Veki Velilla,Iván Pellicer,阿爾瓦羅·梅爾,卡洛斯·阿爾凱德,瑪麗亞·賽爾祖埃拉,普利西婭·戴爾加多,丹尼爾·格勞,Carmela Lloret,Ane Rot,Hamza Zaidi同類推薦
刀馬旦
鐘楚紅,林青霞,葉倩文,鄭浩南,午馬,張國強,秦沛,谷峰,曾江,吳君如民初時代國家動蕩不安,軍閥割據導致民不聊生。曹云(林青霞飾)是大軍閥曹將軍的女兒,也是一個愛國者。但是不愿見到父親幫助袁世凱以國家的名義向外國銀行借貸巨款,讓國家的財務更雪上加霜,于是偷偷與革命人士聯絡。但是一邊是國家,一邊是父親也讓曹云不知如何取舍而陷入內心的掙扎。白妞(葉倩文飾)從小在戲班春和班長大,被戲班主的父親(午馬飾)當作丫環使,癡迷唱戲的她一直希望登臺表演,卻沒有機會;湘紅(鐘楚紅飾)是一位貪財的歌妓,趁某軍閥逃跑時偷走其家中一大箱珠寶,卻誤打誤撞讓珠寶運進了春和班里。這三位在姻緣巧合下結識,透過這三位主角的生命交錯,共同譜出一段愛國傳奇......
時間浪人之愛你一大跳
艾倫,林佳陵,黃妮娜,郭祥鵬,陳姝,苗馳,紀陽木該片劇情主要講述了一個現代花花公子楚留香每天周旋于多個情人之間,某天意外被情人們發現后將他扔下懸崖,等他醒來時發現自己竟離奇穿越到古代,并且被將軍府千金杜鵑兒帶回去做家丁,而更加不可思議的是,他發現杜鵑兒竟然也是從現代穿越來的,隨后兩人就發生了一段“山路十八彎,蕩氣回腸”的另類穿越愛情故事。
浴血蔣家河口
任帥,關亞軍,曹楠,計美臣蔣家河口戰役打響了新四軍抗戰的第一槍,也是新四軍挺進敵后打伏擊的第一仗。此役以少克眾,以弱勝強,孤軍深入,出奇制勝,給了囂張跋扈、不可一世的日本侵略者一個結結實實的下馬威,極大地鼓舞了中國軍民的抗戰斗
黑域封鎖
特瓦納·巴尼特,邁克·弗格森,LeeAnne BauerWhat begins as a peaceful venture into civilian life for a pair of military vets, quickly devolves into chaos when a nuclear crisis brings danger to their doorstep, igniting an unexpected alliance with a potential enemy, as they struggle to protect their team and overcome the shadows of their past in a lawless new world.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster