劇情縱覽
肉體欲望
肉體欲望
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
少女凱特(萊斯利-安妮·哈芙 Leslie-Anne Huff 飾)擁有一種神奇的能力,隨便什么人,她只要看上一眼,便能知道他的死期為何時(shí)。一次偶然中,凱特遇見了名為杰森(Anthony Chaput 飾)的男子,凱特發(fā)現(xiàn)杰森擁有能夠在死后和現(xiàn)世交流的能力,并且,杰森的死期就在幾個小時(shí)之后。一直想要知道死后世界是什么模樣的凱特?cái)[脫杰森在死后同她聯(lián)絡(luò),杰森興然應(yīng)允。 果然,很快杰森便死了,在臨死之時(shí),一副詭異恐怖的畫面出現(xiàn)在了杰森的眼前。之后,凱特果然接到了杰森來自“陰間”的電話,根據(jù)杰森的指使,凱特需要前往香港,在那里,一位名叫達(dá)倫(陳奕迅 飾)的酒保正在等她。
樸信陽飾演父親車勝道(音譯),李民基(李暋起)飾演潘神父(姓為音譯)。 該片講述在為女兒舉辦葬禮的三天時(shí)間中,與寄生在死去女兒心臟中突然蘇醒的惡魔進(jìn)行斗爭的超自然電影。