我有我瘋狂
廖小璇（陳寶蓮飾）與丈夫馬祖輝驅(qū)車在夜里游玩，汽車失事墮海，馬祖輝意外身亡。人們根據(jù)種種跡象，懷疑這是廖小璇一手策劃的謀殺丈夫案件，馬祖輝生前購下的巨額保險和廖小璇以往的不良紀(jì)錄，更是增加了疑點。馬祖輝的家族一口咬定是廖小璇所為，但又拿不出過硬的證據(jù)，于是保險公司派來調(diào)查員賈淑賢（袁潔瑩飾）。此人表面上代表律師替璇洗脫罪名，暗地里是搜集證據(jù)要釘死廖小璇?？墒?，在整個過程中，賈淑賢發(fā)覺廖小璇并不是陰險毒辣的人，轉(zhuǎn)過頭來幫助廖小璇。一個自稱是馬祖輝太太的女人金露露（宮雪花飾）出現(xiàn)在大宅里面，目的很清楚是那筆保險金，金露露與廖小璇水火不能相容。賈淑賢經(jīng)過調(diào)查，發(fā)現(xiàn)馬祖輝原來有一樁秘密的婚外情，而對象竟然就是
即刻觀影
劇情賞析
編輯推薦
熾愛
卡特琳娜·格蘭厄姆,梅里特·帕特森,塞巴斯蒂安·羅奇,王卡帝,Roger Cross,Aren Buchholz,Kayla Wallace,大衛(wèi)·劉易斯,Andres Collantes,Chris Cope烈火可以燒盡一切邪惡 但愛比烈火更為致命 職場新秀克萊爾泳池偶遇美女伊芙，遂展開一段浪漫情緣，然而當(dāng)有一天她在其老板的派對上與伊芙再度重逢，卻發(fā)現(xiàn)對方的身份并非那么簡單。不久后她又被卷入了其老板的謀殺案之中，原來她早已身在局中.....
得閑謹(jǐn)制
肖戰(zhàn),彭昱暢,周依然,楊新鳴,阿如那,甘昀宸,周思羽,嚴(yán)知度,尹正,祖峰,廖凡,許君聰,江奇霖,任程偉機械廠鉗工莫得閑（肖戰(zhàn) 飾）拖家?guī)Э陔S逃難隊伍躲進(jìn)山區(qū)，與被大部隊遺忘的防空炮長肖衍（彭昱暢 飾）及手下在“戈止鎮(zhèn)”落腳。然而，莫得閑和妻子夏橙（周依然 飾）、老太爺（楊新鳴 飾）以及兒子莫等閑（嚴(yán)知度 飾）的平靜生活因為一小隊日本偵察兵的意外到來被打破。全鎮(zhèn)百姓不忍不退，拼死守護(hù)家園，一場民間智慧對抗正規(guī)武裝的殊死較量轟然展開。
我最特別的朋友
張頌文,曾柯瑯,陳永勝,王悅伊,石老板,胡宇,田甜真正的友情從無關(guān)身份，而是兩個迷茫的靈魂恰好相互照亮。生活失意的老鄭與無處可去的亮亮相遇，老鄭意外成為網(wǎng)紅，而亮亮成了他身邊最堅定的搭檔。 兩人一路同行，也在彼此的生命中照進(jìn)光芒。一段身份懸殊的特殊友誼，在笑淚交織中悄然生長。 然而，當(dāng)老鄭在流量中逐漸迷失走向失控，這段關(guān)系也迎來了前所未有的考驗……他們，能否成為彼此最特別的那束光？
杰出公民
奧斯卡·馬丁內(nèi)茲,達(dá)迪·布列瓦,安德麗婭·弗里杰里奧,諾拉·納瓦斯,曼努埃爾·維森特,馬塞洛·丹德烈亞,貝倫·沙瓦納,古斯塔沃·加爾松,朱利安·拉基爾·泰拉里尼,艾瑪·里維拉,尼古拉斯·德·特蕾西,丹尼爾·卡爾吉曼,亞歷克西斯·洛佩茲·科斯塔,萊昂納多·穆里亞,佩德羅·羅斯小說家丹尼爾（奧斯卡·馬丁內(nèi)茲 Oscar Martínez 飾）從剛出道起事業(yè)就順風(fēng)順?biāo)?，如今更是獲得了諾貝爾文學(xué)獎的殊榮，攀登上了職業(yè)的頂峰，然而這榮譽卻并未帶給他滿足，恰恰相反，丹尼爾擔(dān)心名聲和財富會奪走他文學(xué)創(chuàng)作上的靈感與鋒芒?！ ∫换窝畚迥赀^去，丹尼爾熱度不減，邀約和獎項不斷，可冷淡而又避世的他只教助手一一回絕。一封來自小鎮(zhèn)薩拉斯的信吸引了丹尼爾的注意，薩拉斯是他闊別已久的故鄉(xiāng)，如今邀請他踏上故土，接受“杰出公民”的獎項，在未告知媒體和朋友們的情況下，丹尼爾獨自踏上了返鄉(xiāng)的旅途，在那里，他再度見到了曾經(jīng)的戀人艾琳（安德麗婭·弗里杰里奧 Andrea Frigerio 飾），如今的艾琳早已經(jīng)嫁為人妻，而她的丈夫正是丹尼爾的舊友安東尼奧（達(dá)迪·布列瓦 Dady Brieva 飾）。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
為了亞當(dāng)
蕾雅·德呂蓋,安娜瑪麗亞·沃特魯梅,阿萊克斯·德斯卡,朱爾斯·德爾薩特,洛朗特·卡普洛托,克萊爾·博德森,索尼婭·貝卡姆,麥克斯·羅賓,阿德利安·迪安娜,米凱萊·莫安娜·內(nèi)德塔尼,亞歷山大·馬托比,杰登·穆約佐羅·馬耶巴,肯娜亞·索瑪,安妮·拉勒芒特,蒙尼亞·杜依布,吉尤利婭·巴爾福羅德,塞德里克·拉克辛,雅典娜·達(dá)納·珀羅斯,卡利姆·奇哈布,寶琳·格雷高利一如往常，護(hù)理師露西奔走于各個小兒科病房，BP機、哭喊聲填滿了她的崩潰日常。但今晚，有個小孩讓她格外心力交瘁：四歲的亞當(dāng)因營養(yǎng)不良入院觀察，他媽媽海蓓卡執(zhí)意要徹夜守在孩子身旁，偏偏她被法院裁定照顧失當(dāng)，不得長時間探訪。為了讓拒絕進(jìn)食的亞當(dāng)乖乖吃飯，露西打算破例讓她留下，豈料海蓓卡卻想悄悄偷走亞當(dāng)??