播放通道
詳細簡介
熱門影視 大家都在看
冊殺
牛駿峰,尚語賢,白恩,王奎榮,胡耘豪,李光復,喻亢,馬渝捷,徐筠,鄧志浩,鄔倩,曲戈,陳俊安,姜琦,時銘健,朱海軍交響班
凱德·麥拉德,薩米爾·蓋絲米,艾爾弗雷德·雷利,讓-呂克·文森特,塔蒂亞娜·羅喬,蘇萊曼·達茲,馬修·斯皮諾斯,安妮·梅林格,克勞迪·維納斯特汗比,科琳娜·馬爾尚,金吉·羅曼,讓娜·比蒂諾娃,穆尼爾·馬戈姆清算
高捷,姜皓文,侯桐江,湛佳明 Jiaming Zhan,張榮祥 Cheung Wing-Cheung,屈剛,張媛鈺,賈天明,景樂,韓則怡 Zeyi Han,武岳 Yue Wu,張懷公,洪子龍 Zilong Hong,劉浩嵐 Haolan Liu,劉開心 Kaixin Liu殺戮游戲
皮爾森·福德,喬·阿德勒,勞拉·阿什利·塞繆斯,邁克爾·加蘭特,Mouzam Makkar,Sari Sanchez,Tommy Beardmore,Ryan Carr,Patricia Urbonas Clark,Brian Christensen,Jay Disney,Alicia Hilton,Justin Nesbitt,Debbi Burns,希拉里·安德森星河戰隊2:聯邦英雄
比利·布朗,理查德·布基,凱莉·卡爾森,何家蓓,埃德·勞特爾,J·P·馬諾克斯,勞倫斯·莫努森,柯琳·波奇,德魯·鮑威爾,愛德·奎恩,杰森-沙恩·斯科特,布蘭達·斯特朗,布萊恩·泰,斯蒂芬·斯坦頓,喬恩·戴維森,Jesse Grce,Oliver Keller,喬納森·帕索,Ty Williams吉星拱照
周潤發,張艾嘉,鄭丹瑞,利智,黃坤玄,黃家駒,葉世榮,黃家強,黃貫中同類推薦
食人豬
嚴泰雄,鄭有美,張恒善,尹宰文位于韓國某山區的智翼村,是一座號稱零犯罪村的旅游勝地。每到假期或周末,全國各地的游客云集于此,享受難得的快樂生活。為了吸引更多的游客,智翼村相繼開發了高爾夫球場合周末農場,為此砍伐了大量的原始叢林。野生動物的生存環境遭到破壞,加上偷獵者的侵擾,野豬數量急劇減少。為了生存,野豬開始挖掘人類的墳墓,啃噬尸體,由此對人肉產生了濃厚的興趣。 某天,村中一名獵人孫女的尸體被人發現,她的尸體破碎不堪,只留下頭顱。經法醫鑒定和老獵人的觀察,這起慘案系一頭是人野豬所為。在此之后,武裝精良的獵人們來到智翼村,人獸的戰爭漸次白熱化……
東京少女
夏帆,佐野和真,近藤芳正,秋本奈緒美,福永真梨佳《東京少年》的姊妹篇,同樣以“無法有結果的戀情”為主題。 2008年的東京少女未步(夏帆 飾)的夢想是成為一名奇幻小說家,這天和母親以及母親的情人在餐廳用餐,對母親準備再婚一事十分排斥的未步憤而離席。 1912年,宮田時次郎(佐野和真 飾)再次被夏目漱石退稿,缺乏生活經驗的他寫作出來的小說缺乏打動人心的力量。他沮喪地拿著退稿離開出版社。 突然發生地震,站立不穩的未步失手掉了手機,從樓梯墜入連接過去與未來的蟲洞,被時次郎拾得。 不可思議地,相隔幾近一百年的兩個人,由誤會到了解,漸漸情愫暗生,彼此傾訴生活中遭遇的問題,還異時空約會。但是身處未來的未步總是知道歷史的發生,而當她想改變時,卻發現一切只是無能為力。但是即便不能改變命運,也仍有真愛留低。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
有情感的機器人
巴萊特·奧利佛,瑪麗·貝絲·赫特,邁克爾·麥基恩,Kathryn Walker一名叫達爾的走失男孩被小鎮人們發現,由于沒人認領,他被帶到福利院。經過檢查,醫生發現他身體各項機能正常,而且智商很高,只是失去了一部分的記憶。 達爾被安排暫時居住在安迪家。安迪和妻子喬依斯一直希望能夠領養一個孩子,達爾的到來令他們異常興奮。在相處的過程中,達爾和鄰居家的小男孩特塔成為了非常要好的朋友,他們一起上學、一起玩耍、一起為安迪的棒球隊贏得了勝利,大家都覺得達爾是個非常聰明而且惹人喜愛的男孩。 忽然有一天,兩個自稱是達爾父母的人來接走了達爾,這令安迪全家和特塔非常傷心。達爾也對他們產生了深厚的感情,戀戀不舍地離開了安迪家。 事實上達爾是一個在大腦中被植入芯片的機器人,但他現在具備了一個正常孩子的一切生理機能。來接他的也并非他的父母,而是制造他的博士。博士被達爾和安迪他們的深厚情感所感動,他希望達爾能像正常孩子一樣生活,但國家的高級官員卻要求摧毀達爾。博士在同事的配合下,將達爾帶出試驗基地,遭到警察的追擊,途中博士為了掩護達爾中彈身亡。 達爾潛入空軍基地,開著戰斗機向安迪家的方向飛去。空軍基地地面遙控飛機在飛行過程中自動摧毀,達爾彈出飛機,降落在安迪家旁邊的湖中。達爾終于回到了屬于他的“家”中。
私房錢事件
劉瑋婷,張楚松,李婷婷,王迎奇一對出現感情危機的情侶,奔赴荒山深處的度假屋,展開浪漫之旅。然而各懷心事的兩人彼此設計,意外被卷入一場綁架與追殺。荒山夜逃、冰湖驚魂,在絕境的生死考驗中,他們被迫攜手同行,危機四伏間,愛與信任被重新喚醒,二人終于明白相守的意義。