我叔叔的女人
彼此都有離婚經(jīng)驗(yàn)的中年情侶,兩人同居了一年。某日,外甥和女友從鄉(xiāng)下來(lái)找他們玩,兩對(duì)情侶因此同住一個(gè)屋簷下。某天,男子意外偷看到外甥女友洗澡的模樣,感到十分興奮,忍不住偷襲了外甥的女友;
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劇情簡(jiǎn)介
彼此都有離婚經(jīng)驗(yàn)的中年情侶,兩人同居了一年。某日,外甥和女友從鄉(xiāng)下來(lái)找他們玩,兩對(duì)情侶因此同住一個(gè)屋簷下。某天,男子意外偷看到外甥女友洗澡的模樣,感到十分興奮,忍不住偷襲了外甥的女友;
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KING OF PRISM -Your Endless Call- 大~家一起閃耀!PRISM☆TOURS
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瑞切爾·布萊克,蘇茜·波特,文斯·科洛斯莫,馬丁·薩克斯,蘇珊·普賴爾,megan dale,麗莎·凱,greta carew-johns剩餐
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小城犯罪
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好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster