Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　19世紀(jì)末的西班牙巴塞羅那，阿圖爾·普拉特（塞爾吉·馬特烏 Sergi Mateu 飾）經(jīng)營著慈父望遠(yuǎn)鏡行，他事業(yè)有成，家境富裕，但是愛女喬安娜（芭芭拉·格娜加 Bárbara Goenaga 飾）因出生時患有腦炎，因此自幼罹患了一種極為罕見的病癥——失認(rèn)癥（agnosia）。這種病癥讓她在身體各個感官都健全的情況下，無法順利地認(rèn)知周遭的人與物。　　阿圖爾長久以來都在努力尋找治好女兒的辦法，而他所掌握的商業(yè)機(jī)密也都成為同行乃至合作伙伴急欲得到的珍寶。父親臨終之際，將商業(yè)機(jī)密托付給了喬安娜。與此同時，愛情與誘惑接連降臨，而在這份看似浪漫的追求背后，利欲熏心的人們用無情卑鄙的手段傷害著無助的喬安娜……

　　以乳鴿店立身的安德森（曾志偉 飾）赴上海創(chuàng)業(yè)，卻迷上炒房，將妻子氣死也未思悔改，這天安德森在影院偶然聽到代言新樓盤“碧水云居”的過氣演員潘志強(qiáng)（黃渤 飾）放出的“內(nèi)部消息”，遂再次籌款預(yù)搶購新房。與此同時，新婚的昔日售樓小姐羅茜（姚晨 飾）為碧水云居付出五萬訂金后，驚系該樓盤周邊林立各污染源。潘志強(qiáng)擔(dān)任樓盤主持嘉賓并為售樓公司鞍前馬后，只希望對方能為自己的新片注資，不料卻被要求退還訂金的羅茜糾纏，潘志強(qiáng)心生一計，令羅茜將房轉(zhuǎn)賣安德森，事成后自食其言拒退訂金，羅茜無奈只得曝光樓盤內(nèi)幕，結(jié)果引發(fā)連串反應(yīng)，使潘志強(qiáng)與安德森發(fā)現(xiàn)自己陷入了開發(fā)商之局，于是各人苦思脫身之法……