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道本成美,泉知束,米澤成美,南久松真奈,巖永ひひお佐藤鈴（道本成美）為了逃避母親（南久松真奈）的過度干涉，在川上信夫（泉知束）的引導下，前往東京的一處房產進行內覽。盡管被告知前住戶山本孝雄（巖永ひひお）因欠租而失蹤，鈴仍被這處優質房產所吸引。信夫提議她單獨繼續內覽時，鈴順從了他的建議。然而，她在房中聽到某種不祥的聲音，被引導著打開了一扇通往異世界的門，隨后被強行拉了進去。醒來后，她發現自己身處一座荒廢的巨大建筑中，迷茫中遇到了自稱山本孝雄的男子。這個空間被某個怪物所支配，既無法逃脫，也無法死去，真正的無間地獄。
養鬼吃人10：審判
希瑟·蘭根坎普 , 蘭迪·韋恩 , 約翰·古拉格 , 凱特·瓊斯 , Rheagan Wallace , 亞歷山德拉·哈里斯 , Paul T. Taylor , Mike J. Regan , Molly Nikki Anderson , Damon Carney , Helena Grace Donald , Mary Kathryn Bryant , Jay Dee , Grace Montie , Trey Walpole影片講述3名警探在調查一起謀殺案時，卻已悄悄落入釘子人的陷阱... 新任“釘子頭”由《罪惡之城》男星保羅·T·泰勒飾演，影片將于2017年在美國上映。 據外媒報道，《猛鬼追魂》第10部影片《猛鬼追魂：審判》（Hellraiser:Judgment）首度曝光了造型照，令人聞風喪膽的“釘子頭”現身，由《罪惡之城》男星保羅·T·泰勒飾演。 道 格·布拉德利 《猛鬼追魂》是最著名的系列恐怖電影之一，除驚人的血腥場景外，更借助肉體的痛苦達到靈魂的救贖，追求一種由魔入道的境界。…
大明嬪妃之反攻
宋洋,何杜娟,朱一龍,陳一諾,關慧卿,王藝曈,王春妹因為太子在“朝鮮之役”上所表現出的高瞻遠矚的智慧，萬歷對太子的態度大大改觀，率眾人到太子府看望自己的皇長孫。宴席之上，三皇子主動要求速速離開京城，到洛陽就封，眾人大感疑惑。辭行宴上三皇子早早酒醉，原來是想借此機會帶姚芊芊私奔，不想被金碧瑤破壞。知道三皇子和姚芊芊私情的王恭妃決定有所行動。王恭妃設計讓金碧瑤假懷孕，姚芊芊在鄭貴妃的脅迫下打算除掉金碧瑤腹中骨肉，卻掉入王恭妃的陷阱。王恭妃以“善妒”為由，廢掉了姚芊芊的太子妃。而一時間關于太子妃紅杏出墻的傳聞又彌漫京城，萬歷要王恭妃徹查此事，王恭妃巧妙的將太極推給了鄭貴妃，姚芊芊命懸一線，而鄭貴妃面對王恭妃步步為營的反攻，已回天乏術，她打算棄車保帥……姚芊芊駕鶴西去，三皇子悲傷不已。鄭貴妃準備杖斃朱由樺。蘭心為了保孩子周全，不惜與太子吵架。太子生氣之下和梅兒一夜纏綿，認為梅兒是最懂他的人。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
一個叫小小船的男孩
J·K·西蒙斯,杰克·布塞,諾爾·古格雷米,盧·坦普爾,麗莎·德·拉佐,伯納德·庫里,Patricia Kalis,Jamille James,尼克·法內爾,Julian Atocani Sanchez,Addam Bramich,Miranda Skerman,Keanu Wilson,Zeyah Pearson,杰西卡佩斯在飽受干旱困擾的小鎮中，一個拉美裔家庭給他們唯一的兒子取名為“帆船”。帆船給他的家人帶來了新的愛和希望。一天下午他帶回了一把小吉他。從這一刻起，帆船和他的吉他形影不離。病重的祖母希望他為她寫一首歌，帆船迎難而上，創作了有史以來最偉大的歌曲。
永遠十六歲
凱拉·奈特莉,科洛·莫瑞茲,山姆·洛克威爾,艾麗·坎伯爾,Tiya Sircar,格瑞辰·摩爾,凱特琳·德弗,馬克·韋伯,丹尼爾·祖瓦圖,Dylan Arnold,Tony Doupe,Basil Harris,Jasmin Savoy Brown,Sara Coates,Sara Lynne Wright電影講述28歲的女主角無法承受男友求婚的壓力，她選擇以與中學生交朋友的方式來逃避。凱拉·奈特莉在片中扮演一個叫做“梅根”（Megan）的年輕女人，她的男友（馬克·韋伯）策劃了一場別出心裁的求婚，結果嚇壞了她，于是借著休假的名義和16歲的妹妹安妮卡（科洛·莫瑞茲）一起找了 個地方躲了起來。薩姆·洛克威爾在片中將扮演一個叫做“克萊格”（Craig）的老男人。