曾經馳騁戰場的退伍老兵安布羅斯·麥金利（Nick Damici 飾）終究也抵擋不了衰老和死亡的侵襲，妻子早年去世，兒子威爾（伊桑·恩布里 Ethan Embry 飾）兀自忙著事業，父子關系雖不冷淡卻也絕非親近，雙目失明的安布羅斯搭乘著兒子的汽車搬入名為克萊森特灣的老年社區，陪伴他的只有一條忠誠的狗狗。搬入當晚，住在隔壁的老婦人被一只餓狼模樣的怪獸襲擊身亡，而安布羅斯則經歷了極其恐怖且終生難忘的夜晚。從醫生口中得知，該社區每個月都會發生一次類似案件，但警方無一例外都將其歸咎為普通的野獸所為。　　得不到親人的救助，更無法奢望父母的庇護，安布羅斯只能融入社區，尋找拯救自己的辦法……

　　朱莉在巴黎一家豪華酒店打工，工作非常辛苦，還要努力照顧在鄉下的兩個孩子。后來，她得到了一個期待已久的工作面試機會，但一場全國性的罷工爆發了，導致公共交通系統陷入癱瘓。一直以來，朱莉努力在生活中維系著一種平衡，而這種脆弱的平衡被突發事件所打破。為了得償所愿，她冒著隨時都會碰壁乃至失去一切的風險，開始了一場與時間的瘋狂賽跑。

　　飽受折磨的隱士內維亞與神秘莫測的陌生人芙蕾雅，開啟了一段風景如畫的公路旅行，卻失控陷入混亂。在竭力逃離過往的過程中，她們的友誼在每一次轉彎處接受考驗——而所有道路都指向一個令人震驚的真相。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.