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劇情提要
阿根廷首都近郊的豪宅區，保安森嚴，與世隔絕，貝蓮來打住家工，不懂欣賞中產階級拘謹的魅力，發現通電鐵絲網的另一邊，原來別有洞天，天體營地春光乍泄。雙面女傭從此活在分裂的世界。穿上衣服，她是表面勤快的阿四，見盡窗明幾凈、衣冠楚楚下的虛偽。卸下衣裳，加入天體俱樂部，她向往赤條條來去無牽掛的自由，化身野獸在野外交合。盧卡斯連拿把階級矛盾的寓言推至極端，借鑒若松孝二把性與革命結合的主題，混合歐陸冷面幽默，向封閉的人心發動突襲。
暗夜精選
AI 愛上你
平采娜·樂維瑟派布恩,馬里奧·毛瑞爾,薩哈賈克·波斯安吉特,大衛·阿薩瓦納德,Watthanachai Treedecha,Thaweesak Thananan,Kenneth Won,Michael S. New,James Laver,Ladapa Ratchataamonchot,Chris Wegoda,Fuang R. Puttarangsi,Manita Chobchuen,Siri Tveter,Hassaya Isariyasereekul跨國銀行
克里夫·歐文,娜奧米·沃茨,阿明·繆勒-斯塔爾,烏爾里奇·湯姆森,布萊恩·F·奧博恩小倩2024
邊江,張惠霖,陳張太康,張思王之,傅晨陽,盧力峰,孫睿揚,郭政建,林蘭,妶耳,錦鯉,張雨濛,白望文一美國暴力
布魯斯·鄧恩,丹妮絲·理查茲,凱維·萊曼-默塞尤,哥倫布·紹特,羅布·格隆科夫斯基,邁克爾·帕爾,約翰尼·梅辛納,愛瑪·里格比,尼克·齊蘭德,帕特里克·基爾帕特里克,邁克爾·約翰·朗,米歇爾·圣托彼得羅,威洛·黑爾動物僵尸
Ione Butler,安德魯·阿斯珀,La La Nestor,Kim Nielsen,Marcus Anderson,Brianna Joy Chomer,Ivan Djurovic,亞倫·格羅本,Kaiwi Lyman,William McMichael,Reuben Uy,Isaac Anderson,Tammy Klein,Cedric Jonathan,Joe Conti查帕奎迪克
杰森·克拉克,凱特·瑪拉,艾德·赫爾姆斯,布魯斯·鄧恩,吉姆·加菲根,奧莉薇·瑟爾比,克蘭西·布朗,泰勒·尼科斯,約翰·菲奧里,吉利恩·瑪瑞娜·戈登,凱蒂·亨諾克,萊克西·羅斯,安吉拉·霍普·史密斯,文斯·泰瑟,維克多·沃倫,大衛·德·貝克,安德莉亞·布萊克曼,比爾·亨弗瑞斯,湯姆·奧布萊恩,莎拉·伊麗莎白·米切爾,保羅·佩普,雅各布·海德,克里斯·埃杰利,瓦利·維吉爾特天山玉女劍
黃秋燕,溫兆倫,楊麗菁,關秀媚,湯鎮業,惠英紅,關海山幕后花絮
4度空間大師
一位科學家在一次試驗中，發現用腦波可以使一只鉛筆穿透銅板，不過，他的實驗室在一次大火中毀滅，這位科學家不得不投靠他的哥哥。他的哥哥也在進行著另一項實驗，他發現重新組合原子結構可以產生巨大能量。他與弟弟合作，利用弟弟的腦波和實驗心得，改變任何物質結構，形成“四度空間人”。 不過，“四度空間人”使用一次均會失去時間而老化，必須不斷增加能源，而每次吸取能量，就會將老化轉移他人，于是他不斷殺人以維持青春。究竟四度空間人會不會最終被消滅，請觀眾自己品味。 本片構思新穎，運用高科技手段拍攝，是觀眾有身臨高科技時代的感覺，當然，這指的是身在影片所屬的年代！
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.