新婚女老年人時(shí)間停止
太極拳對(duì)同一個(gè)工作的大四生麗娜(Lina)情有獨(dú)鐘。但是,當(dāng)幾天沒有工作的麗娜發(fā)現(xiàn)自己已婚時(shí),她感到震驚。然后有一天,一個(gè)計(jì)時(shí)器裝置跌落到太極的頭上,一個(gè)未知的聲音留下了一個(gè)單詞來操縱時(shí)間。當(dāng)太極拳發(fā)現(xiàn)計(jì)時(shí)器確實(shí)在工作時(shí),太極拳將時(shí)間停在麗娜的背后...
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邁克爾·帕克斯,梅麗莎·里奧,約翰·古德曼,邁克爾·安格拉諾,凱爾·加爾納捏造
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柯里·瑟威爾,羅絲安妮·休佩諾特,Michelle Thrush,朱利安·布萊克·安蒂洛普,納森尼爾·阿坎德,Roger LeBlanc,Kevin Davey,Jerome Paton,Paul Welch,Cameron Gerlitz,Stephane Legault,Jonathan Purvis,John Barry Graham,Tessa Hatheway,Emiko Shimozawa驚蟄無聲
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梅拉達(dá)·素斯麗,蘇提拉克·素維杰拉,查盧彭·提坤朋提拉翁,Tatchaya Supatanyasatit,Fon Tanasoontorn,Krisana Panpeng急凍奇?zhèn)b
元彪,元華,張曼玉,林聰,吳志雄,黃耀明 Anthony Wong Yiu,黎燕姍,徐錦江,元奎,王晶新狂蟒之災(zāi)
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古古·姆巴塔-勞,大衛(wèi)·奧伊羅,丹尼爾·布魯赫,約翰·奧提茲,克里斯·奧多德,阿卡塞爾·亨涅,章子怡,伊麗莎白·德比茨基,羅杰·戴維斯,唐納爾·羅格,蘇珊·克萊爾,肯·奧林,西蒙·佩吉,格雷戈·格倫伯格太平洋戰(zhàn)場
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吞天巨鯊
陳外,程爽,成止微,秦宇太平洋某座生物研究所內(nèi),最新研究的魚類加速繁殖計(jì)劃得到了突破,并在繁殖力極低的鯊魚身上試驗(yàn)成功。實(shí)驗(yàn)室的科學(xué)家們大喜過望,稱這項(xiàng)研究將徹底解決全球食物問題。只有總負(fù)責(zé)人博士袁聰認(rèn)為此舉會(huì)破壞現(xiàn)有的生態(tài)環(huán)境,力排眾議下令銷毀實(shí)驗(yàn)鯊魚。然而實(shí)驗(yàn)組的副手莫雷將這些鯊魚看成畢生心血,偷走幾條幼鯊準(zhǔn)備轉(zhuǎn)移,誰知在路上被咬傷出了事故,幼鯊逃進(jìn)下水道進(jìn)入了大海。沒過多久,若干處海邊出現(xiàn)鯊魚群體襲擊事件,原來這些鯊魚的背后有一只超級(jí)巨大的母鯊......
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
寵寵特快
當(dāng)一列火車意外開動(dòng)時(shí),只帶著寵物,他們發(fā)現(xiàn)漢斯,一只好惡的獾,是這一切的幕后黑手。雖然墜機(jī)似乎不可避免,但動(dòng)物們可以依靠獵鷹,一只狡猾的浣熊,他會(huì)盡一切努力拯救它們。
戰(zhàn)爭藝術(shù)家
埃米爾·赫斯基,因巴爾·拉維,伊安·蒂阿爾,亞當(dāng)·切赫曼,Edward Foy,Chris Cope,喬?!げ既R克,喬什·祖克曼,尤金·里皮斯基,達(dá)里亞斯·布萊克,Pam Kearns,Tori Griffith,Brad Abramenko,邁克爾·本耶爾,Boris Bilic,馬特·布朗,Reid Anthony Cronin,阿亞斯·達(dá)爾曼,Rebecca Dykstra,Craig Erickson根據(jù)約瑟夫和麗貝卡·鮑在普拉佐集中營的婚禮被斯皮爾伯格的辛德勒名單紀(jì)念的真實(shí)故事改編。Bau,《戰(zhàn)爭中的藝術(shù)家》是一部戰(zhàn)爭劇/愛情故事/間諜故事,在這個(gè)幸存者正在死亡、大屠殺正在從記憶中消失的時(shí)代需要講述。約瑟夫在營地里運(yùn)用他的藝術(shù)技巧,活了下來,幫助數(shù)百人逃走。奇跡般地,他在絕望中找到了愛。一種將持續(xù)一生的愛。幾年后,當(dāng)他被傳喚為殘酷的納粹軍官受審的關(guān)鍵證人時(shí),他被重新帶回了大屠殺的生動(dòng)記憶中。納粹軍官折磨了他并殺害了他的父親?,F(xiàn)在,他呼吁這種愛和精神的韌性來面對(duì)他過去的終極惡魔。