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劇情提要
一部混合了超現(xiàn)實(shí)懸念和浪漫抒情色彩的作品。劇情介紹一位昆蟲(chóng)專家，被派往一個(gè)種葡萄釀酒但發(fā)生蟲(chóng)患的地區(qū)，他對(duì)當(dāng)?shù)匾晃粶厍樯賸D和放浪少女產(chǎn)生感情，最后放棄少婦，與浪女遠(yuǎn)走高飛。
暗夜精選
鬼馬朱唇
蔡楓華,王青,古珍珍,李玄麗永遠(yuǎn)十六歲
凱拉·奈特莉,科洛·莫瑞茲,山姆·洛克威爾,艾麗·坎伯爾,Tiya Sircar,格瑞辰·摩爾,凱特琳·德弗,馬克·韋伯,丹尼爾·祖瓦圖,Dylan Arnold,Tony Doupe,Basil Harris,Jasmin Savoy Brown,Sara Coates,Sara Lynne Wright伊曼紐爾的真相
卡雅·斯考達(dá)里奧,杰西卡·貝爾,阿爾弗雷德·莫里納,弗蘭西絲·奧康納,阿奈林·巴納德,吉米·辛普森,Gabriela Dias,斯賓塞·加雷特,山姆·賈格,凱文·麥克克科爾,安妮·拉姆塞肥龍過(guò)江
甄子丹,毛舜筠,周勵(lì)淇,王晶,林秋楠,張繼聰,竹中直人,丞威,渡邊哲,王祖藍(lán),詹瑞文,陳友,伍允龍,林曉峰,周俊偉,林盛斌,泰臣,葉山豪,嚴(yán)華,喻亢,馮勉恒索命舞娘
麥迪·齊格勒,拉娜·康多,艾瑞絲·阿帕托,阿凡提卡·萬(wàn)達(dá)納普,米利森特·西蒙茲,烏瑪·瑟曼,莉迪亞·倫納德,邁克爾·卡爾金,Kate Freund,克里斯蒂安·恰克瓦里,加博爾·納吉帕爾,Julian Krenn,沙哈布·魯巴達(dá),鮑拉日·邁杰里,貝拉·奧爾薩尼,弗朗西斯·麥克伯尼,亞當(dāng)·邦奇,Miklós Béres,Klára Spilák,Gary Cothenet小前提
Sathya Sridharan,帕頓·阿什布洛克,達(dá)納·艾希布魯克時(shí)速二十五
拉斯·艾丁格,比亞內(nèi)·梅德?tīng)?桑德拉·惠勒,弗朗卡·波滕特,亞歷山德拉·瑪麗亞·拉娜,杰拉·哈斯,耶迪斯·特里貝爾,沃坦·維爾克·默林,庫(kù)爾德·伯格,馬丁·布拉姆馬赫,卡羅琳·貝爾,德克·赫爾比格,馬呂斯·胡貝爾,馬太烏茲·科西基維奇,馬蒂·克勞斯,安德烈·梅利塔同系列推薦
幕后花絮
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
腐壞之巫
一名廚師終于開(kāi)了自己的高檔餐廳，但地址選在了鄉(xiāng)野傳說(shuō)中女巫住過(guò)的“鬼屋”，可怕的事情發(fā)生：食物里有蟲(chóng)子爬出，血腥事件來(lái)臨……