疑犯現(xiàn)場(chǎng)
一宗兇殺案?jìng)商秸{(diào)查一系列的謀殺性在洛杉磯收到來自一個(gè)著名的性治療師與一個(gè)不為人知的秘密的情況下幫助...
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一宗兇殺案?jìng)商秸{(diào)查一系列的謀殺性在洛杉磯收到來自一個(gè)著名的性治療師與一個(gè)不為人知的秘密的情況下幫助...
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大佛回國(guó)
Philip Granger,Toshi Toda,寶田明,森田友希,Shelley Sweeney,久保明,Peggy Neal,Robert Scott Field,螢雪次朗,Francisco de Borja De la Bella,小林夕岐子,Inge Murata,Yoshiro Uchida,Ippei ?sako,Norman England繼女2024
安妮·伊隆澤,Judy Johnson,Blue Kimble,Cassidey Fralin,Neil Wachs蹂躪
布魯斯·鄧恩,安娜貝爾·德克斯特-瓊斯,埃里克·尼爾森,羅伯特·朗斯特里特,Joshua Brady,羅斯·帕特里奇,Chris Pinkalla,Drake Shannon,邁克爾·韋弗平原上的迷途
菲利波·斯科蒂,塞爾吉奧·羅馬諾,皮耶爾保羅·卡波維拉,羅伯托·西特蘭,安德里亞·彭納基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina狄仁杰之彼岸奇花
陳浩民,尚娜,劉金,金寧,崔冬辰,陳宇星,劉威州米納里
史蒂文·元,韓藝璃,達(dá)里爾·考克斯,威爾·帕頓,尹汝貞,蒂娜·帕克,斯科特·黑茲,艾倫·S·金,Laurie Cummings,埃里克·斯達(dá)克,Esther Moon,Ben Hall,Noel Cho,Chloe Lee,James Carroll,Jacob M Wade,Jenny Phagan導(dǎo)演精選
在樂響舞動(dòng)時(shí)
她是一位國(guó)標(biāo)舞者,卻在重大賽事的緊要關(guān)頭遭遇危機(jī),幸好有位街頭舞者挺身而出,不顧自身過往的傷痛,擔(dān)任她的出賽舞伴。
誤色
現(xiàn)在是2003年,國(guó)際武器核查員泰德·凱勒(馬修·吉利亞姆)在美國(guó)入侵伊始就在伊拉克工作。在調(diào)查一個(gè)未被發(fā)現(xiàn)的武器藏匿處時(shí),他發(fā)現(xiàn)了一個(gè)可疑來源的生物制劑,他很快意識(shí)到這種生物制劑已經(jīng)危及他的生命。撞倒在地,他危險(xiǎn)的軌跡與美麗的國(guó)會(huì)援助伊蓮娜·波佩斯庫(kù)(拉維尼婭·波波拉切)相撞,后者發(fā)現(xiàn)自己被自己的危險(xiǎn)包圍著。他們聯(lián)合起來,被迫質(zhì)疑一切,同時(shí)努力比那些希望他們沉默的人領(lǐng)先一步。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.