在線播放
劇情簡(jiǎn)介
破裂的日本經(jīng)濟(jì),清純小人妻面對(duì)幼稚的丈夫無(wú)法承擔(dān)公司業(yè)務(wù)的損失....
同類(lèi)好片
看不見(jiàn)的客人
馬里奧·卡薩斯,阿娜·瓦格納,何塞·科羅納多,巴巴拉·萊涅,弗蘭塞斯克·奧雷利亞,帕科·圖斯,大衛(wèi)·塞爾瓦斯,伊尼戈·加斯特西,圣·耶拉莫斯,馬內(nèi)爾·杜維索,布蘭卡·馬丁內(nèi)斯,佩雷·布拉索,霍爾迪·布魯內(nèi)特,鮑比·岡薩雷斯,瑪?shù)倌取鯛査?/span>狼人2025
克里斯托弗·阿波特,朱莉婭·加納,瑪?shù)贍栠_(dá)·弗思,山姆·賈格,本·普倫德加斯特,扎克·錢(qián)德勒,本尼迪克·哈迪,米洛·考索恩,雷·沃納爾,羅伯·馬克布萊德提前的葬禮
姜末琴,奉太奎誤色
Matthew Gilliam,Lavinia Postolache,Peter Gantenbein,Tanya Thomas,William Frederick Knight,司馬優(yōu)冊(cè)殺
牛駿峰,尚語(yǔ)賢,白恩,王奎榮,胡耘豪,李光復(fù),喻亢,馬渝捷,徐筠,鄧志浩,鄔倩,曲戈,陳俊安,姜琦,時(shí)銘健,朱海軍?校正單元?
Sonny Middleton,Elleese Bradshaw,Kirsty Smedley,齊亞德·阿巴扎,貝拉·拉姆齊,喬納森·菲利普斯,艾莉森·馬丁·瓊斯 Alison Martin Jones人氣佳作
納粹僵尸
Matthew Baunsgard,達(dá)米安·羅扎內(nèi)克,Ellis J. Wells,Richard Kovacs,Zach Devereux感恩節(jié)
帕特里克·德姆西,泰·奧爾森,吉娜·格申,加布里埃爾·達(dá)文波特,凱倫·克里奇,內(nèi)爾·維拉克,里克·霍夫曼,德里克·麥克加特,凱瑟琳·特羅維爾,杰倫·托馬斯·布魯克斯,米卡·阿蒙森,阿曼達(dá)·巴克,沙琳·格里芬,提姆·狄龍,克里斯·桑迪福德,艾蒂森·蕾,托馬索·薩內(nèi)里,珍娜·沃倫,林恩·格里芬木匠之子
尼古拉斯·凱奇,諾亞·尤佩,小枝女孩,伊斯拉·約翰斯頓,索海拉·雅各布,Penelope Markopoulou,Orestis Paliadelis,埃莉娜·托帕麗朵,馬諾利斯·馬諾里斯,Thekla Gaiti,Kaiti Manolidaki,Dimitris Louskos,Stavros Kottas,Zisis Papaioannou,Michalis Ioannou,Viktor Hristov,Odisseas Zikas,Gary Salomon,Lee Papadakis,Harila求藥
何一諾,劉平,李思韻,孛璽宇,胡軼凡,孫梓屹,徐丹,王成,馮丹導(dǎo)演精選
最爽的一天
名不見(jiàn)經(jīng)傳的鋼琴家安迪(馬提亞斯·施維赫夫 Matthias Schweigh?fer 飾)和從未干過(guò)什么正經(jīng)事整天游手好閑的本諾(弗洛里安·大衛(wèi)·菲茨 Florian David Fitz 飾),這兩個(gè)個(gè)性迥異似乎永遠(yuǎn)都不會(huì)有交集的人,相識(shí)于病房之中,兩人都患上了無(wú)法治愈的絕癥,時(shí)日無(wú)多。 在本諾的慫恿之下,安迪決定和他一起逃出病房,來(lái)一趟充滿了陽(yáng)光和激情的非洲之旅,他們要盡情享受轟轟烈烈毫無(wú)顧忌的人生,才能甘心接收死亡的終結(jié)。就這樣,兩個(gè)“亡命之徒”踏上了他們的旅途,一路上,瘋狂的兩人制造了數(shù)不清的麻煩和笑料,而他們?cè)愀獾慕】禒顩r,亦令兩人屢屢同死神擦肩而過(guò)。最終,當(dāng)他們抵達(dá)了目的地時(shí),又會(huì)有怎樣的一番景象在等待著兩人呢?
攔截火狐貍
It is the year 2022. A mysterious systems failure causes the crew of a spaceship to be stranded on the dark side of the moon, while rapidly running out of fuel and oxygen. They are surprised to discover a NASA space shuttle floating in space, and board it in the hope of salvaging some supplies....
我能有個(gè)見(jiàn)證人嗎
Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth. With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50. Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned. Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.