超激！A幫生與死
電影學校畢業后，連拍情色片都凸槌的年輕導演，召集一群由啊片演員、同志情侶、易裝癖者、毒癮夫妻集結而成的團員，巡迴演出「活春宮」，藉此傳達對社會、政治的批判，然而情色革命最終卻變成「為五斗米斷頭」的恐怖死亡直擊。超越尺度的表現手法，正是對吃人世界的憤怒宣言，心臟不夠強與衛道人士，禁止觀看，否則后果自負。
即刻觀影
劇情賞析
編輯推薦
音樂之聲
朱莉·安德魯斯,克里斯托弗·普盧默,埃琳諾·帕克,理查德·海頓,佩吉·伍德,查爾敏·卡爾,希瑟·孟席斯-尤里克,尼古拉斯·哈蒙德,杜安·蔡斯,安吉拉·卡特懷特,黛比·特納,基姆·卡拉思,安娜·李,波希婭·納爾遜,本·懷特,丹尼爾·特魯希特,諾瑪·威登,吉爾克里斯特·斯圖爾特,馬妮·尼克松,埃瓦德妮·貝克,多麗絲·勞埃德,格特魯德·阿斯特,弗蘭克·貝克,史蒂夫·卡魯瑟斯,山姆·哈里斯,多羅西·吉金斯,利奧達·理查德斯,杰弗里·塞爾,伯納德·賽爾,諾爾曼·斯蒂凡斯,伯特史蒂文斯,瑪麗亞·馮·特拉普瑪利亞（朱麗·安德魯斯 飾）是一個年輕活潑的修女，喜歡在大自然下高聲歌唱，所以她常常忘記了修道院里的規矩。院長認為瑪利亞并不屬于規矩嚴格的修道院。院長與眾嬤嬤商量后，決定安排瑪利亞到一位名叫特拉普（克里斯托弗·普盧默 飾）上校家當家庭教師。上校的妻子去世多年，留下7個孩子，他要求對孩子嚴格管教。他告訴瑪利亞在他家的家庭教師都做不長久，都是因為孩子的惡作劇。瑪利亞果然也遭到了惡作劇，可是這位善良的老師并沒有告訴他們的父親，而是像個母親一樣照顧孩子，很快跟孩子打成一片。上校也漸漸在瑪利亞的引導下改變了對孩子們的態度。上校與瑪利亞之間發生了感情，他們完婚后回到了已被納粹占領的奧地利，上校并不想為納粹辦事，一家人準備逃跑……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
父影之下
索佩·迪瑞蘇,Godwin Egbo,Chibuike Marvelous Egbo,Efòn Wini,Tosin Adeyemi,Adesina McCoy Babalola,Lawrence Chu,Yetunde Coker,Akerele David,瓦萊·戴維斯,Patrick Diabuah,Paul Edobor,瑪莎·厄赫諾梅,Adodo Emmanuel,Patrick Essien,Olarotimi Fakunle,Ikechukwu Gabriel,Fred Ideh,Ebuka雷米與阿金這對小哥倆，終得與疏離多年的父親弗拉林共享難得一日。三人游走在初次相見的巨型都市拉各斯，少年窺見鋼筋森林的奇觀，亦目睹父親謀生路上的重重難關。此刻整座城市正籠罩在1993年總統大選結果的巨大陰云之下，而父子三人的歸家之路，竟也成了選票漩渦中飄搖的未知數。
抱得美人歸
亞歷克·鮑德溫,金·貝辛格在二次世界大戰后，即將結婚的花花公子開車到賭城作最后一次尋歡，不料邂逅了美麗的女歌手，并發現了她是賭城大亨巴格西的情婦。他該回到自己的規律生活中，還是繼續追求這段冒險的愛情呢？名編劇家尼爾賽門由自己的愛情經歷創作出本片，對男女之間的感情游戲有深刻的體會，所以劇情雖然簡單，趣味性倒不弱。亞歷克．鮑德溫和金．貝辛格因拍攝本片而牽上紅線，可見其演出投入。此外，金．貝辛格親自主唱片中歌曲，頗有幾分性感歌星的架勢。
牢獄鴛
華萊士·比里,切斯特·莫里斯,羅伯特·蒙哥馬利肯特·馬洛（蒙哥馬利·克里夫特 飾）因酒駕而入獄，并在牢中認識了搶劫犯約翰·摩根（切斯特·莫里斯 飾）和殺人犯機關槍布奇（華萊士·比里 飾）。性格軟弱的馬洛入獄第一晚便遭到了布奇的欺凌，隨后他與其他獄友也無法和諧相處，心懷不滿的他在警察密探的慫恿下想要通過抓住布奇和摩根的把柄的方式來提前出獄。性格暴躁的布奇無法忍受牢中惡劣的飲食條件，在餐廳慫恿所有犯人一起抗議，最終遭到壓制，布奇也因此被送往地牢，但他心中已打定主意要設法越獄。摩根性格狡猾，在獄中一直左右逢源，并因在獄中表現良好得到了提前出獄的假釋機會，就在他喜不勝收準備出獄之時，某個突然而來的事件永遠改變了他的命運。
貘之歌
四個背景經歷各不相同的年輕人在北京的一個出租屋里喝酒，但因為想法不一，互相有一些矛盾然后打了一架，警察介入，之后結束。