弟媳的VIP服務(wù)

9.4 播放:51萬 2026-04-28

明勛經(jīng)常去按摩店享受服務(wù),有時(shí)甚至?xí)c按摩師發(fā)生性關(guān)系。后來有一天,他的弟弟介紹了一位他將要結(jié)婚的女人,而這位即將成為他弟媳的女人,竟然是他最近在按摩店遇到的按摩師!明勛向?qū)擂蔚呐颂岢隽艘粋€(gè)秘密的提議,為了她的婚姻順利,她接受了這個(gè)提議一一于是他們之間的危險(xiǎn)關(guān)系開始了!

在線看

同款熱播

精靈寶可夢:去往超克的時(shí)空

松本梨香,大谷育江,上田祐司,豐口惠美,小櫻悅子,林原惠美,三木真一郎,犬山犬子,西村千奈美,雪野五月,小西克幸,阪口大助,伊東美彌子,古島清孝,藤本讓,岸祐二,熊井統(tǒng)子,真堂圭,三宅健太,逢坂力,中西英樹,川上貴史,傳坂勉,寺谷美香,米澤圓,石冢運(yùn)升,秋山龍次,馬場裕之,山本博,高島政宏,中川翔子,山寺宏一,北乃綺,美輪明宏

 以成為神奇寶貝大師為目標(biāo),小智(松本梨香 配音)、小剛(うえだゆうじ 配音)和小光(豊口めぐみ 配音)帶著各自的神奇寶貝在世界各地進(jìn)行艱苦的修業(yè)之旅,今天他們歷經(jīng)長途跋涉終于來到了風(fēng)景秀美的米琪亞鎮(zhèn)。在當(dāng)?shù)匾粚π⌒置玫慕榻B下,小智一行前往神殿遺址游玩。誰知卻遭遇了極其危險(xiǎn)的情況。關(guān)鍵時(shí)刻,掌管時(shí)間的迪亞魯加和守衛(wèi)神殿的西娜(北乃きい 配音)、凱賓(岸祐二 配音)幫助了他們,能與神奇寶貝心靈溝通的西娜還熄滅了冥王龍的怒火。從西娜口中得知,創(chuàng)造了世界的神奇寶貝即將蘇醒,它不僅會(huì)使時(shí)空扭曲錯(cuò)亂,還將為世界帶來毀滅性的災(zāi)難…… 本片為神奇寶貝系列第十二部電影劇場版。

毛骨悚然撞鬼經(jīng)25周年特別篇

稻垣吾郎,香取慎吾,森七菜,山內(nèi)健司,坂口憲二,生見愛瑠,門脅麥,山口紗彌加,豐島花,布施繪里

  

迷失太空

海瑟·格拉漢姆,威廉·赫特,米密·羅杰斯,杰克·約翰遜,萊西·沙伯特,加里·奧德曼,馬特·勒布朗

  公元22世紀(jì),因?yàn)槿丝谶^度膨脹、過度開發(fā)、環(huán)境極度惡化、食物也消耗殆盡。人類想要存活下去,就必須要到宇宙中去尋找新的可以棲身的星球。因此制造了一艘當(dāng)時(shí)最先進(jìn)的太空飛船,去考察發(fā)現(xiàn)的一顆可能適宜人類生存的星球。羅伯遜(威廉·赫特 William Hurt  飾)一家被選中擔(dān)負(fù)起了這次探索使命,他們將用10年的時(shí)間前往阿爾法星球??墒?,這次擔(dān)負(fù)起全人類命運(yùn)的任務(wù)卻有反對的聲音,部分邪惡勢力妄圖阻止這次任務(wù)。所以,當(dāng)羅伯遜一家駕駛太空船剛進(jìn)入太空的預(yù)定軌道時(shí),反對派史密斯博士暗中進(jìn)行破壞,導(dǎo)致飛船脫離的正常的軌道迫降到了一顆不知名的星球上。飛船上邪惡勢力的阻撓,不知名星球上的種種危機(jī),如何才能重新設(shè)定新的航線……各種問題困惑著羅伯遜一家,他們真的就此迷失太空,無法到達(dá)目的地了嗎?人類的命運(yùn)將何去何從?

退伍軍官

亞尼·卡普爾,莫娜·辛格,拉狄卡·馬丹,Aditya Rawal,沙魯巴·舒克拉,Faisal Malik,Amit Jha,Vikram Pratap,Harsh Purwar,Lata Shukla,Esha Shital

曾經(jīng)為國家而戰(zhàn)的男人,如今必須對抗來自內(nèi)部的敵人,才能守護(hù)自己的家園與家人。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

沉默的艦隊(duì)2

大澤隆夫

在酷寒的北方海域,核潛艇大和號伴隨著莫扎特的旋律,開始了駛向紐約聯(lián)合國總部的深海航程。在美俄交界的白令海峽,一艘性能全面碾壓大和號的美國核潛艇正悄然逼近。此刻,寒冷的北冰洋上,碎裂的浮冰之間,一場激戰(zhàn)就此拉開帷幕。