處女晚餐
三個(gè)金蘭姐妹，每次把酒談天總開心見性，環(huán)繞著性和婚姻侃侃而談，即使提到高潮、自我解決，也毫不扭捏。一個(gè)是把性納入婚姻軌道的酒店服務(wù)生，一個(gè)是憧憬**樂趣之余也渴望經(jīng)濟(jì)獨(dú)立和生兒育女的大學(xué)畢業(yè)生，一個(gè)是和任何合心意的男人上床也全無拘束的設(shè)計(jì)公司總裁，她們相信心底話愈得以表達(dá)，自我壓抑和供男性玩弄的機(jī)會(huì)也愈微。三個(gè)背景不同的女子，都期望著自己的性事，但卻又遇上不如意的事
即刻觀影
劇情賞析
編輯推薦
星途惡果
基努·里維斯,喬納·希爾,卡梅隆·迪亞茲,馬特·波莫,大衛(wèi)·斯佩德,艾薇·沃爾克,凱雅·基伯,拉弗恩·考克斯,肖拉·阿德烏斯,蘇珊·盧琪,卡里·克里斯托弗,岡冢敦子,Carlos Carrasco,韋爾克·懷特,尼古拉·尼克拉斐,埃文·沙夫蘭,克里斯·里德,Paul Bartholomew,T.C. Amos IV,小羅伊·伍德好萊塢明星Reef Hawk（基努·里維斯 飾）被人以一個(gè)神秘視頻進(jìn)行勒索，形象和職業(yè)面臨崩塌，他必須深入探索自己心中隱藏的惡魔。在多年好友Kyle（卡梅隆·迪亞茲 飾）、Xander（馬特·波莫 飾）和應(yīng)對(duì)危機(jī)的律師Ira（喬納·希爾 飾）的幫助下，Reef展開了一場(chǎng)自我反省的旅程，要去補(bǔ)償任何他可能辜負(fù)過的人，想搞清楚勒索者是誰(shuí)。面臨自己的過去，才能拯救自己的未來。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
從此以后
康妮·布里登,喬瓦尼·索羅菲瓦,托馬索·巴西利,巴貝蒂達(dá)·薩喬,亞歷山德羅·布雷薩內(nèi)羅,Syama Rayner,安德烈亞·布魯斯基,Freya Hannan-Mills,Giorgia Trasselli,Lollo Franco當(dāng)Claire的女兒在一次瀕死體驗(yàn)后表現(xiàn)出越來越令人不安的行為時(shí)，她開始相信自己的女兒把邪惡的東西從另一個(gè)世界帶回來了。
無論如何我愛你
這部精美的動(dòng)畫短片由編劇/導(dǎo)演威爾·麥柯馬克和邁克爾·戈維爾聯(lián)手打造。在悲劇發(fā)生后，一對(duì)父母失去了孩子，傷心欲絕的他們要面對(duì)隨之而來的失落感。
魔力，魔力
艾米莉·布朗寧,邁克爾·塞拉,朱諾·坦普爾,卡塔琳娜·桑地諾·莫雷諾,阿古斯丁·席爾瓦第一次出國(guó)的艾莉西亞從加州到了南美，并和表姐的朋友們一起，踏上了一段遠(yuǎn)離城市的旅程。然而表姐半途有事而返，留下她與三個(gè)陌生人。這三個(gè)陌生人中，一個(gè)是時(shí)不時(shí)做出奇怪舉動(dòng)，說話不顧后果，甚至有虐 待傾向的同性戀，一個(gè)是郁郁寡歡，總是板著面孔，似乎對(duì)艾莉西亞做的任何事都不滿意的大姐，還有一個(gè)是表姐那個(gè)看起來雖然友善，卻癡迷于催眠術(shù)的男朋友。面對(duì)陌生的國(guó)度，奇怪的人，空蕩的房間，狂野的世界，艾莉西亞脆弱的神經(jīng)不斷受到挑戰(zhàn)。失眠、夢(mèng)魘、幻覺帶來了焦慮、驚恐、不安，艾莉西亞要怎樣走完這一段旅程，又是否能脫離險(xiǎn)境?
野狼防衛(wèi)戰(zhàn)
維林斯·豪塞爾,博·霍普金斯,喬治·肯尼迪,金伯莉·貝克,布里翁·詹姆斯科學(xué)家們?cè)谝粋€(gè)小鎮(zhèn)的供水系統(tǒng)中下毒，把居民變成殺人狂魔，他們互相殘殺，任何人都能通過。