生而為人 生而為人 (2021)

★ 2.3 播放：15萬 更新：2026-04-25

楊世男，再直不過的高中男孩，打游戲、打飛機，對異性興致勃勃。在這一天，他一如往常站向小便斗，下體卻冒出大量鮮血。經過診斷，原來他同時擁有一具完整的男性與女性生殖器，在醫師建議之下，父母擅自決定讓他／她以女生之姿重生。搬了家，也轉了學，從今天開始，她，叫楊詩蘭。然而，表面上性別改了，卻改不了小男生的心思與對女孩的迷戀。“轉性”的嶄新生活究竟帶來的是福還是禍？

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劇情簡介

楊世男，再直不過的高中男孩，打游戲、打飛機，對異性興致勃勃。在這一天，他一如往常站向小便斗，下體卻冒出大量鮮血。經過診斷，原來他同時擁有一具完整的男性與女性生殖器，在醫師建議之下，父母擅自決定讓他／她以女生之姿重生。搬了家，也轉了學，從今天開始，她，叫楊詩蘭。然而，表面上性別改了，卻改不了小男生的心思與對女孩的迷戀。“轉性”的嶄新生活究竟帶來的是福還是禍？

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

富貴再逼人

　　在報館任職的驃叔（董驃 飾）因為工作的關系帶著全家到加拿大工作。一家五口都全身心投入新環境新生活中，驃叔卻因得罪上司被解雇了。由于大女兒、二女兒（李麗珍 飾）已開始了學業，他唯有帶著妻子驃嬸（沈殿霞 飾）與最小的女兒回到香港繼續生活，生活卻比以前更艱難了。驃嬸無意中發現了一張加拿大的頭獎彩票，獎金是兩千萬加幣。　　由于不夠錢到加國，驃叔硬著頭皮向舊上司借。同樣受到經濟危機的上司設法要奪取驃叔的彩票。驃叔一家頑強對抗，保住了彩票，卻無法在領獎時限截止前趕到?！　∫患胰藗牧鳒I，悲傷之中發現時間上出現了時差，領獎的時間還沒截止。

附身

 1985年，濃霧籠罩的郊外，周日早晨少女麗莎·約翰遜（阿比蓋爾·布蕾斯琳 Abigail Breslin 飾）被弟弟羅比（Peter DaCunha 飾）吵醒。她頗感煩惱地起床，按照媽媽（米歇爾·諾爾頓 Michelle Nolden 飾）的指示洗衣服，爸爸布魯斯（彼德·奧德博拉治 Peter Outerbridge 飾）則在地下室修著汽車?？此破椒矡o奇的普通人家，卻彌漫著詭異神秘的氣息。不知曾幾何時，麗莎發現每天重復著同樣的內容，家人反復干著同樣的事、說著同樣的話、度過同一個濃霧籠罩的周末。她嘗試改變這一切，然而無從下手，此外更有帶著死神氣息的男子警告麗莎不要破壞當前的一切。無法忍受折磨的麗莎，不可避免落入過去、現在和未來的夾縫中，局勢完全失控……