在線播放
劇情簡介
2014年韓國限制級影視電影
同類好片
鐵血戰士:殺戮之地
艾麗·范寧,迪米特里烏斯·舒斯特-科洛阿瑪坦吉天鵝中的狼
達里奧·格蘭迪內蒂,David Atrakchi,瑪佳麗達·維拉·諾瓦錯體姻緣
莫少聰,翁虹,午馬三級警戒
雷恩·威爾森,里爾·萊爾·哈瓦瑞,艾米·卡里諾,羅伯·里格爾,伊薇特·尼科爾·布朗,佩吉·肯尼迪,索洛·馬里多納,崔·歐圖爾,特蕾莎·麥克勞林,安迪·米爾德,阿耶莎·哈里斯,皮特·霍登,達莉婭·羅尼,邁克爾·J·希拉夫,卡梅隆·富勒,埃里克·蔣曼,梅麗莎·喬·拜莉,盧卡·瓊斯,特雷莎·加里,茜耶拉·斯沃茨天出血
常戎,蓋麗麗,于紹康,楊兆泉,洪濤親陌公園
路易斯·布蘭多尼,愛德華多·布蘭科,Verónica Pelaccini,Agustín Aristarán,Manuela Menéndez,Matías Alarcón人氣佳作
余下的就是沉默
馬魯斯·弗瑞爾·維扎德,奧維度·尼庫勒斯庫,米萊拉·澤塔,米哈伊·格魯亞·桑杜,瓦倫丁·波佩斯庫,尼庫·米霍奇,西爾維烏·比瑞斯榮歸1978
簡·方達,喬恩·沃伊特,布魯斯·鄧恩,佩內洛普·米爾福,羅伯特·卡拉丁,羅伯特·金蒂,凱瑟琳·米勒別走
斯蒂芬·多爾夫,梅利莎·喬治,西蒙·德蘭尼,加文·歐康諾,萊勒·羅迪,肖恩·馬洪,Aoibhinn McGinnity,Grace Farrel,Des Cave,Luke Griffin,夏洛特·布拉德利,Laurence O'Fuarain,Sahar Ali,Ella Connolly,Grainne Coyne機械怪獸
喬治·納德,Claudia Barrett導演精選
蠱鎮
When a cult that worships mind-altering parasites takes over a small town, a trio of women in lockdown are dragged into a fight for survival and revenge.
利刃之刀鋒戰士
講述的是程崗所在的特警隊在局長陳海安的運籌帷幄下,與黃贊為首的走私犯罪集團斗智斗勇,最后將犯罪分子一網打盡的故事。展現了以程崗、沈欣為代表的特警,為破獲文物案和圍剿犯罪分子所作出的犧牲和奉獻。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster