大軍閥
日俄戰爭期間,土匪頭子龐大虎(許冠文 飾)假扮成俄國人燒殺搶掠,他打退了懦弱的清兵,也擊敗了日本人。龐因此受到俄國人的嘉獎,一躍成為統治北方的軍閥頭子。這個大字不識一個的老粗雖然身居高位,卻也鬧出不少笑話: 上任之初,一支求雨隊伍擋住龐大虎的去路,龐聞聽大怒,下車將龍王臭罵一通,并揚言炮轟龍王廟。無巧不成書,大雨隨即而至,龐因此被馬匹精和懵懂百姓捧上天;寡婦高白氏(胡錦 飾)勾搭家中長工紀伯常,偏巧為求學歸來的小叔子撞破,y-婦于是誣告小叔子意圖強迫。龐大虎奇人出奇招,巧斷這起強迫案;妻妾成群的龐貪婪無度,意欲強娶女伶蘭芳,蘭芳之父憤而阻攔,反遭其殺害。多行不義必自斃,作惡多端且顢頇的龐大虎終于迎來了自己的末日
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劇情提要
日俄戰爭期間,土匪頭子龐大虎(許冠文 飾)假扮成俄國人燒殺搶掠,他打退了懦弱的清兵,也擊敗了日本人。龐因此受到俄國人的嘉獎,一躍成為統治北方的軍閥頭子。這個大字不識一個的老粗雖然身居高位,卻也鬧出不少笑話: 上任之初,一支求雨隊伍擋住龐大虎的去路,龐聞聽大怒,下車將龍王臭罵一通,并揚言炮轟龍王廟。無巧不成書,大雨隨即而至,龐因此被馬匹精和懵懂百姓捧上天;寡婦高白氏(胡錦 飾)勾搭家中長工紀伯常,偏巧為求學歸來的小叔子撞破,y-婦于是誣告小叔子意圖強迫。龐大虎奇人出奇招,巧斷這起強迫案;妻妾成群的龐貪婪無度,意欲強娶女伶蘭芳,蘭芳之父憤而阻攔,反遭其殺害。多行不義必自斃,作惡多端且顢頇的龐大虎終于迎來了自己的末日
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我的寶貝2
見證喬和阿農之間的深厚紐帶,這種紐帶在許多世和轉世中都是持久的。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.