即刻觀影
劇情賞析
編輯推薦
宇宙之門
迪安娜·羅素,尼爾·霍普金斯,托勒密·斯洛克姆,格雷琴·洛奇,基思·赫德森,娜塔莎·戈特,喬治娜·布萊克利奇,Michele Weaver,Clint Jung,Paul McCarthy-Boyington,Salvita Decorte,Shellye Broughton,Danielle Lewis,Phet Mahathongdy,Albert A. Vega全球突然出現(xiàn)了很多來(lái)自宇宙巨大的“入口”，世界一片混亂、陷入危機(jī)。這些扭曲現(xiàn)實(shí)的入口為何出現(xiàn)，它們的另一端是？
一個(gè)明星的誕生1976
芭芭拉·史翠珊,克里斯·克里斯托弗森,加里·布塞,奧利弗·克拉克,Marta Heflin,莎莉·柯克蘭德,喬安妮林維爾,保羅·馬祖斯基,斯蒂芬·布魯頓,Donnie Fritts,Booker T. Jones,Jerry McGee,比爾·格雷厄姆,麗塔·考里基,托尼·奧蘭多,伊索·阿克瑞恩,羅伯特·英格蘭德,梅迪·諾曼,Susan Richardson本片是同一故事第三度重拍的版本。此片將好萊塢的背景改成今日的搖滾樂(lè)壇，男主角原是著名的搖滾樂(lè)歌手，而女主角則在小型夜總會(huì)賣藝。影片中有不少熱門插曲，部分片段的鏡頭和表演都不俗，但整體則顯得有點(diǎn)矯揉造作，角色欠缺真正的生命感，不過(guò)娛樂(lè)性還是維持相當(dāng)水準(zhǔn)。本片曾獲奧斯卡最佳電影插曲金像獎(jiǎng)。
雜交種
Angela Durazo,Nathan Schellerup,Malinda Farrington,Danny Winn,Katy BentzThe nightmare was about a demonic possession. A long time ago, there was an evil in a small town and it was jealous of the girl and would never let her go, since the devil loved the girl. One night, the evil raped the girl and she became pregnant. After months the girl could not hide her baby, her father figured her secret out and clapped the girl in irons and locked her room door. But the evil put the gun to her father' temple and saved the girl. The father had a stroke and had been sleeping on the bed for three months and died. Time went on and the girl brought a child into the world. Naturally, people who were living in the village heard the story and they did not want to see neither the girl nor the baby since when the baby was born, plants dried in the field, fishes lost in the lake and people had prayed to the god for rain, but nothing changed in the village. People got so angry, dug a hole in front of the fountain, put her into the hole and threw stones at her face. The girl died soon after. The evil went off the deep end, took a revenge of the village and killed everyone except two sisters because the evil wanted them to take care of its baby...
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
裂口女2
飛鳥(niǎo)凜,川村雪繪,巖佐真悠子,真山明大,谷口賢志,草野康太,中野英雄,齋藤洋介,林未紀(jì)澤田家在岐阜縣經(jīng)營(yíng)養(yǎng)雞場(chǎng)，家里有三個(gè)姐妹花。大女兒澤田幸子（川村雪繪 飾）馬上就要結(jié)婚，二女兒澤田雪枝（巖佐真悠子 飾）在美容院工作，小女兒澤田真弓（飛鳥(niǎo)凜 飾）正讀中學(xué)，生性活潑。然而，突如其來(lái)的慘劇將幸福的一家推入了深淵。雪枝過(guò)去的男朋友鈴木因?yàn)槎驶鸸バ模胍雍ρ┲Γ涣蠀s把硫酸誤潑到了真弓臉上。深受傷害的真弓從此失去了笑 容，兩個(gè)姐姐陪伴在她身邊不斷鼓勵(lì)她。 不久后，真弓學(xué)校的同學(xué)以及畢業(yè)生接連被殺，整個(gè)街區(qū)籠罩在恐怖的陰影之中……
羅生門
三船敏郎,京町子,森雅之,志村喬,千秋實(shí),上田吉二郎,本間文子,加?xùn)|大介羅生門，日本京都的正南門。云游和尚、砍柴人和乞丐在城門底下避雨，三人閑聊，話題開(kāi)始，故事的序幕拉開(kāi)：一個(gè)武士和他妻子路過(guò)荒山，遭遇了不測(cè)。妻子被侮辱，而武士慘遭殺害。慘案如何釀成？?jī)词帧⑵拮印⒔栉涫客龌陙?lái)做證的女巫，都各有說(shuō)法。真相只得一個(gè)，但是各人提供證詞的目的卻各有不同。為了美化自己的道德，減輕自己的罪惡，掩飾自己的過(guò)失，人人都開(kāi)始敘述一個(gè)美化自己的故事版本。荒山上的慘案，成了一團(tuán)撥不開(kāi)看不清的迷霧。談?wù)撏戤叄赀^(guò)天晴。砍柴人在羅生門旁發(fā)現(xiàn)一個(gè)哭泣的棄嬰。他決定收養(yǎng)下來(lái)，抱著嬰孩往夕陽(yáng)深處走去。