無(wú)線電春宮

1.3 播放：00萬(wàn) 更新：2026-04-24

格里芬德魯飾演伊麗莎白，誰(shuí)擁有奇怪的夢(mèng)，關(guān)于前世今生，她相信有過(guò)一個(gè)女人。比爾，她的丈夫建議她看到惠特尼博士，;前世治療師 rdquo;和精神分析學(xué)家，由Amy林賽播放。雖然迷惑和寧?kù)o的睡眠，伊麗莎白告訴惠特尼博士到前世她有。 ... 　　

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格里芬德魯飾演伊麗莎白，誰(shuí)擁有奇怪的夢(mèng)，關(guān)于前世今生，她相信有過(guò)一個(gè)女人。比爾，她的丈夫建議她看到惠特尼博士，;前世治療師 rdquo;和精神分析學(xué)家，由Amy林賽播放。雖然迷惑和寧?kù)o的睡眠，伊麗莎白告訴惠特尼博士到前世她有。 ... 　　

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在將未婚夫留在祭壇后，梅麗莎和朋友們一起住在一間小屋里。當(dāng)珍妮被發(fā)現(xiàn)在樹林里被肢解，外星人襲擊了國(guó)家時(shí)，女孩們必須為生存而戰(zhàn)。

活著

葛優(yōu),鞏俐,姜武,牛犇,郭濤,張璐,倪大紅,肖聰,董飛,劉天池,董立范,黃宗洛,劉燕瑾,李連義,楊同順

 根據(jù)余華同名小說(shuō)改編。富少福貴（葛優(yōu)）嗜賭成性，妻子家珍（鞏俐）屢勸無(wú)果后帶著女兒鳳霞離開了他，當(dāng)夜，福貴輸光所有家產(chǎn)氣死父親，被迫靠變賣母親首飾租間破屋過(guò)活。一年后，家珍手拉鳳霞懷抱剛出世的兒子有慶回到家中，福貴痛改前非，開始靠演皮影戲過(guò)起安份守己的日子。但好景不常，內(nèi)戰(zhàn)時(shí)期，福貴被國(guó)民黨抓去當(dāng)勞工，一番輾轉(zhuǎn)終回到家鄉(xiāng)與一家人團(tuán)圓后，鳳霞因病變成啞巴，而在后來(lái)的大躍進(jìn)運(yùn)動(dòng)和文化大革命中，他雖獲某些小福，逆境卻也一直與他如影相隨。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

通往絞刑架的電梯

讓娜·莫羅,莫里斯·羅內(nèi),喬吉斯·伯喬利,約里·貝爾坦,讓·瓦爾,埃爾加·安德森,西爾維亞娜·艾森施泰因,米舍利娜·博納,吉賽勒·格蘭普雷,Jacqueline Staup,馬塞爾·屈弗利耶,熱拉爾·達(dá)里厄,查爾斯·登納,于貝爾·德尚,雅克·黑林,馬塞爾·喬內(nèi),弗朗索瓦·茹,伊萬(wàn)·彼得羅維奇,費(fèi)利克斯·馬滕,利諾·文圖拉,讓-克洛德·布里亞利

　　前傘兵軍官朱里安?塔維尼（Maurice Ronet 飾）退役后在一家軍火公司上班，期間他和老板西蒙?卡瑞拉（Jean Wall 飾）的妻子弗洛倫絲（Jeanne Moreau 飾）陷入熱戀。為了掃清障礙，他和情婦制定了一條看似天衣無(wú)縫的謀殺計(jì)劃。計(jì)劃起初進(jìn)展順利，但在刺殺之后卻因細(xì)微的差錯(cuò)偏離當(dāng)初的設(shè)想，朱里安更被困在大樓的電梯之中。　　所謂禍不單行，一對(duì)青年男女偷走了朱里安的車，事態(tài)開始朝著混亂的方向發(fā)展……　　本片為左岸派元老路易?馬勒的長(zhǎng)片處女作，榮獲1957年路易?德呂克獎(jiǎng)

ChaO，我代表人類跟人魚結(jié)婚了

鈴鹿央士,山田杏奈,山里亮太,宍戶佑名,梅原裕一郎,三宅健太,太田駿靜,土屋安娜,川島邦裕

　　人間と人魚が共存する未來(lái)社會(huì)を舞臺(tái)とする本作。船舶を製造する會(huì)社で働くサラリーマンのステファンは、ある日突然、人魚王國(guó)の姫?チャオに求婚される。ステファンはわけがわからないままチャオと一緒に生活する中で、純粋でまっすぐなチャオに少しずつ惹かれていく。