劇情簡(jiǎn)介
曾江曾老前輩早期罕見經(jīng)典3級(jí)，少女成熟時(shí)， 春心露放身如蜜桃， 總想一嚐溫馨滋味， 不惜代價(jià)， 誘惑風(fēng)流男兒， 藉著一夕纏綿， 搖身一變成為成熟的水密桃， 釋于心中情欲， 解于身軀欲火， 盡閱人間美男子。少女成熟時(shí), 春心露放身如蜜桃, 總想一嚐溫馨滋味, 不惜代價(jià), 誘惑風(fēng)流男兒, 藉著一夕纏綿, 搖身一變成為成熟的水密桃, 釋于心中情欲, 解于身軀欲火, 盡閱人間美男子.
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Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
冬脊
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