該片講述了偉大衛國戰爭期間列寧格勒遭受德寇圍困的九百天，列寧格勒軍民克服種種令人難以置信的困難--饑餓，轟炸，疾病，寒冷——保衛了這座“英雄城”并最終打破了德寇的圍困的故事。

　　公元794年，日本桓武天皇時期，京都長岡被其胞弟早良親王怨靈詛咒，天災人禍不斷。桓武天皇被迫遷都平安京，由此開啟四百年平安時代序幕。彼時權貴內部斗爭激烈，人民生活疾苦，世間因此怨靈叢生，人、鬼與怪物屏息同棲。隸屬于宮廷陰陽寮的陰陽師們，作為平衡天、地、人、鬼間矛盾的存在，自此活躍在歷史舞臺上，其中最為耀眼的便是身世成謎的安倍晴明（野村萬齋 飾）。右近衛中將源博雅（伊藤英明 飾）受托拜訪安倍晴明，被所目睹的奇異景象及晴明的個人魅力深深折服；晴明亦被博雅正直的品德吸引。故事便從兩人宿命相識，結下珍貴情誼開始。　　宮廷內近來異事頻發。左大臣藤原師輔之女誕下敦平親王，嬰兒降世卻身負詛咒。晴明招來蜜蟲（今井繪理子 飾）和神秘女子青音（小泉今日子 飾），與博雅一同化解惡咒，卻反遭誣陷。原來一切皆是陰陽頭道尊（真田廣之 飾）所為。他利用左右大臣間矛盾與后妃間爭寵頻生事端，更欲召喚出150年前的最強怨靈早良親王，將平安京徹底顛覆……　　影片根據夢枕貘《陰陽師》系列小說改編。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster