影片改編自笭菁的同名恐怖小說。　　萬萬不可將八字交給他人，否則……后果自負。

1982年，法國總統(tǒng)弗朗索瓦·密特朗決定為其任期的旗艦項目——拉德芳斯大拱門發(fā)起一場國際建筑競賽，該項目與盧浮宮和凱旋門對齊。出乎所有人意料，一位在法國鮮為人知的 53 歲丹麥建筑師約翰·奧托·馮·斯普雷克爾森贏得了競賽。這位建筑師打算完全按照自己的設想建造大拱門，但他的理念很快與實際限制和政治變幻莫測相沖突。這部電影以真實事件為靈感，講述了這位理想主義的丹麥建筑師如何努力在政治博弈、官僚主義和藝術自由的限制下實現(xiàn)其宏偉愿景的故事。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　小說作家阿真和她的拳王父親，從小就有很深的隔閡，在父親離世后，阿真用自己的方式與父親和解，并且在小說世界中完成了文與武的轉換，經(jīng)歷了善與惡的抉擇，成功蛻變，為父正名，成為了真正的格斗家！