即刻觀影
劇情賞析
編輯推薦
馬騰你別走
林更新,李幼斌,宋茜,王彥霖,李雪琴,陳哈琳,馮雷,潘斌龍沒(méi)錢沒(méi)愛(ài)還沒(méi)心沒(méi)肺的馬騰（林更新 飾）人近中年一事無(wú)成，是旁人眼里公認(rèn)的“廢柴”！鋼廠退休骨干老林（李幼斌 飾）遵守鐵打的紀(jì)律活了一輩子本該安享晚年，身體和心理卻雙雙“亮起紅燈”！本無(wú)生活交集的兩人因?yàn)橐粓?chǎng)歪打正著的護(hù)工面試相遇，展開(kāi)了一段啼笑皆非的有趣互救。老林為求解脫，將“協(xié)助自殺”的希望寄托在這個(gè)不靠譜的護(hù)工身上。馬騰雖然想賺錢完成女兒的心愿，但無(wú)膽害命，只能發(fā)揮自己的樂(lè)觀心態(tài)在日常中提供情緒價(jià)值給老林。二人在一段特殊的旅途中建立起生死友誼，于病痛與死亡的陰影里找到了活下去的小小微光，攜手大膽迎接未知的生活。
月光里的男孩
久美江措,更旦,尕瑪久美,尼瑪頌宋,西然仁杰,尕瑪文加,文秀求珍,達(dá)杰丁增,更卻東周影片講述作家扎西因童年時(shí)一個(gè)關(guān)于狗的“秘密”愧疚多年，直到多年后重返故鄉(xiāng)才意外得知真相，與孩童穿越時(shí)光的生長(zhǎng)痛。
棉花軟糖
柯賓·伯恩森,庫(kù)埃·勞倫斯,Kai Cech,Max Malas在一個(gè)與世隔絕的夏令營(yíng)里，膽小又內(nèi)向的12歲男孩摩根陷入了一場(chǎng)噩夢(mèng)之中——曾經(jīng)被當(dāng)作傳說(shuō)的一個(gè)篝火故事竟變成了現(xiàn)實(shí)。摩根和他新結(jié)識(shí)的朋友們必須踏上一段危險(xiǎn)重重的旅程，并揭開(kāi)隱藏在表象之下的邪惡真相。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
千萬(wàn)不要跟著我
Karla Coronado,揚(yáng)克爾·史蒂文,Julia Maqueo卡拉夢(mèng)為了成為知名的網(wǎng)紅，決定在自己的公寓里偽造一場(chǎng)鬧鬼事件。然而令她沒(méi)想到是，她的行為意外招來(lái)了不懷好意的東西。
惡魔們
張東潤(rùn),吳代煥,崔奎華,張?jiān)钻?孫鐘學(xué),申承煥,尹炳熙多年來(lái)，偵探Jae-hwan一直癡迷于捕捉Jin-hyuk，負(fù)責(zé)他的搭檔和姐夫的死亡的連環(huán)殺手，即使復(fù)仇的道路意味著跳過(guò)一些規(guī)則。但是，當(dāng)拖延已久的相遇終于到來(lái)時(shí)，事情并沒(méi)有像預(yù)期的那樣進(jìn)行——經(jīng)過(guò)一場(chǎng)追逐和一場(chǎng)混亂的事故，在失蹤了一個(gè)月之后，Jae-hwan被銬在醫(yī)院的病床上醒來(lái)，卻發(fā)現(xiàn)他被困在Jin-hyuk的身體里，而反過(guò)來(lái)，兇手正在取代他和他的家人在一起。但這只是一個(gè)起點(diǎn)，一個(gè)曲折、極端的敘事，充滿了令人驚訝的轉(zhuǎn)折，并染上了鮮血和霓虹燈的紅色。在他的殘酷處女作中，金在勛(Kim Jae-hoon)借用了身體轉(zhuǎn)換的比喻，以塑造類型電影愛(ài)好者的盛宴。