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科學怪人對地底怪獸
高島忠夫,Nick Adams,水野久美,土屋嘉男,佐原健二,伊藤久哉,沢井桂子下一個臺風
張子楓,張偉麗,李心潔,姚晨,李曉川,蔡珩,曾慕梅,柴燁,蔣昀霖約束的罪行
塞西莉亞·羅特,米格爾·安吉爾·索拉,本杰明·阿瑪迪奧,索菲亞·哥拉,亞尼娜·阿維拉,迭戈·克雷莫內西,保羅·巴林托斯,馬塞洛·索比奧托,瑪麗婭·瑪努爾,馬塞洛·丹德烈亞,克拉拉·科瓦西奇復仇1978
塞爾玖·尼古拉耶斯庫,J·迪尼克,J·康斯坦丁基努貓
科甘-邁克爾·凱,喬丹·皮爾,基努·里維斯,馬索·曼恩,威爾·福特,達里爾·布里特-吉布森,尼婭·朗,羅布·許貝爾,杰森·米切爾,路易斯·古茲曼,蒂凡尼·哈迪斯,麥迪遜·沃爾夫,山姆麥地那,斯塔萊特·米亞里奧尼無瑕修女
西德尼·斯維尼,西蒙納·塔巴斯科,阿爾瓦羅·莫奇,貝內黛塔·波爾卡羅利,朵拉·羅馬諾,吉皮耶羅·朱迪卡,喬治·科蘭杰利同類推薦
教皇行動
卡羅利娜·格魯什卡,博古斯瓦夫·林達,伊雷紐什·喬普
瘋狂海盜團2
凱瑞·豪根·西德尼斯,Sienna Rosie Schei,David Leander Helgor,Lisa Stokke,哈瓦德·巴克,尼爾斯·約恩·卡爾斯塔德,杰普·貝克·勞爾森,Jan Martin Johnsen,Fridtjof Stens?th Josefsen,Terje Formoe,Charlotte Frogner,雅各布·奧福特布羅摯友雷文和粉紅公主在令人聞風喪膽的海盜、七海之王劍齒虎船長的麾下服役。狡猾的格羅爾伯爵夫人西比拉襲擊了他們的船,偷走了珍貴的船首像并綁架了粉紅公主—這一切都是她精心策劃的,旨在誘捕劍齒虎船長,征服海盜的家園。
汪星人訓練營
亞歷山德拉·瑪麗亞·拉娜,大衛·史崔梭德,安娜·赫爾曼,多加居·雷爾,魯里克·吉斯拉松,Kerim Waller五個狗主人帶著他們淘氣的狗狗向山中的傳奇老師尋求幫助——但需要接受訓練的并不是他們毛茸茸的朋友。
世外逃劫
錫德·盧塞羅,碧優緹·岡薩雷斯,詹姆斯·布蘭科喪尸危機爆發后,一家人躲到一處偏僻的農場。然而,當他們在這個荒涼的世界求生時,隱藏多年的痛苦秘密給這家人造成了巨大陰影。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster