這就是我

9.7 播放:40萬 2026-04-28

以親密、奇幻和敘事驅(qū)動(dòng)的方式呈現(xiàn)了詹妮弗·洛佩茲在音樂和視覺交織的沉浸式世界中的自我療愈之旅。

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陷入麻煩的女孩

Columbus Short,Wilmer Valderrama,Alicja Bachleda

  A Lower East Side bartender becomes entangled in a murder mystery involving a desperate woman, a missing drug dealer and the scion of a powerful investment firm.

沒問題2021

梁龍,徐潔兒,范帥琦,賈天明,王宏偉,遲志強(qiáng),鄒德江,丁鶴,黃靖芯,謝昀杉,大兵

東北某市,晨報(bào)主任左守權(quán)得知與前妻生活多年的女兒,在校組建“問題樂隊(duì)”,不務(wù)正業(yè),恐將被學(xué)校處分。老左欲將女兒留在家鄉(xiāng)從事鐵飯碗工作,左明明卻欲南下逐夢(mèng)。老左苦口婆心勸說不成只好四處托人求助。女兒英語老師呂有容,因兒子轉(zhuǎn)學(xué)之事有求于老左,兩人化干戈為玉帛,惺惺相惜。由此引發(fā)左明明誤會(huì)其二人有茍且之事,羞怒至極,父女決裂。左明明終日與樂隊(duì)混跡夜場,幾乎放棄學(xué)業(yè)。老同學(xué)牛校長涉嫌違紀(jì),牽連老左被停職。呂老師因和老左的一條醉酒視頻丟了工作。關(guān)乎女兒學(xué)位的英語四級(jí)考試,也只剩下最后機(jī)會(huì)。 為了女兒的未來,老左找來女兒樂隊(duì)吉他手小馬協(xié)助,準(zhǔn)備孤注一擲……

奸人本色

董驃,許冠英

  劉父半生積蓄被奸商所騙,更在法庭敗訴,郁郁而終,死前托女兒小云找奸人家族報(bào)仇。奸人家族一早不值奸商所為,設(shè)下以奸治奸的圈套,不料簡仁與簡貴為爭小云歡心,被奸商利用……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

寶塔鎮(zhèn)河妖之詭墓龍棺

彭愚厶,曾妮,何其煒,王怡雯,郭野,周升

  清朝末年,城中百姓多數(shù)染上怪病。關(guān)心國家命運(yùn)的禾苗希望張孝智助自己到水下地宮取得寶藏。但另有幾方勢力為了獲得地宮寶藏展開了一場大亂斗。最終,眾人發(fā)現(xiàn)所謂的寶藏根本子虛烏有。而導(dǎo)致盛京變成人間地獄的根源也非妖魔鬼怪,而是日本人人體試驗(yàn)的陰謀。 張孝智與禾苗、兄弟錢眼兒、棄暗投明的黑風(fēng)雙煞最終不計(jì)自身安危地準(zhǔn)備解救盛京的危局……

鬼屋直播

莎拉·莫利斯基,妮佳·海特洛娃,茂·孫,Victor Soares

  一群直播團(tuán)隊(duì)挑戰(zhàn)進(jìn)入一座鬧鬼的老宅,很快發(fā)現(xiàn),眼前的恐怖竟比他們預(yù)料的還要真實(shí)可怕。隨著一波又一波的驚悚事件,他們必須在恐懼中掙扎前行,力圖在這座死亡之屋中活到天亮。