大八卦

評分：5.1 播放：75萬 更新：2026-04-22

貌似還有年輕時間的李連杰哦，養(yǎng)鬼大師教你點樣養(yǎng)鬼 ; 林國雄大師教你逢du必贏術(shù) ; 一個觀音像令到謝利源傾家蕩產(chǎn) ; 直升機師意外真相大揭秘 ; 船街鬼屋比高街鬼屋勐 ; 李連杰點解 28 歲前無得"發(fā)" ; 教你先人妝唔可以亂咁化 ; 臺灣祭神一晚燒咗成條街 ; 港英政府前途衰系乜嘢手 ; 相學(xué)大師首次教你睇全相 ; du神上身刀槍不入 ; 揭開快活谷大石鼓之謎 ; 解開沈肥肥婚姻批離之謎 ; 資料詳盡, 不能盡錄...... 　　

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林中女孩

Selah Rose,Doug Wilder,Maggie Wilder

　　Widowed farmer Malcolm Gardner lives a quiet life near a secluded forest. When a mysterious ten-year-old girl emerges from the trees, he uncovers a hidden world lurking just beyond his view.

包寶寶

丹尼爾·凱林,辛迪·勞

 畫面開始，一雙豐滿的手靈巧地揉面、按記兒、搟皮兒、包包子。沒過一會兒，一籠白白凈凈又饞人的包子就做得了。相貌平平的女主人推開廚房的窗戶，短暫的歇息。稍后，包子蒸熟，女主人端著它來到餐桌前。此時，她的老公已經(jīng)起床，正目不轉(zhuǎn)睛地盯著電視的新聞。而他看了表后狼吞虎咽，便匆匆上班去了。失落的女主人拿起最后一個包子，可剛一張嘴包子便大哭了起來。不知為何包子有了生命，而倍感孤獨的女主人格外開心，于是將包寶寶當(dāng)做自己的孩子撫養(yǎng)。小包子一天天長大，他起初和女主人分外親近，但是他漸漸有了自己的個性，渴望獨立，渴望遠(yuǎn)行……本片是《超人總動員2》的貼片短片，榮獲奧斯卡電影金像獎最佳動畫短片獎。

斯克魯奇：圣誕頌歌

盧克·伊萬斯,奧利維婭·科爾曼,杰西·巴克利,強尼·弗林,弗拉·菲,吉爾斯·特雷拉,特雷弗·迪昂·尼古拉斯,詹姆斯·科茲莫,荷馬·托迪瓦拉,喬納森·普雷斯,杰米瑪·露西·紐曼,德文·波默羅伊

《斯克魯奇:圣誕頌歌》改編自1970年由阿爾伯特·芬尼主演的故事片，由傳奇作曲家兼作詞人萊斯利·布里庫塞創(chuàng)作。這部CG動畫將于2022年12月在Netflix首播。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.