動畫《交響詩篇》的劇場版動畫《交響詩篇 超進化》續作預計于11月10日正式上映，正式片名定為《ANEMONE/交響詩篇超進化》，宣傳PV今日公開。故事以TV動畫《交響詩篇》中最初的東京為舞臺，故事主要圍繞7年前喪父的安妮莫奈展開。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

探索現代浪漫的起起落落。

主人公賢示自幼飽受性別認同困擾，卻始終未放棄成為偶像的夢想。醫生和田在與賢示相遇后，首次直面性別認同障礙的現實，并以賢示為首例親自主刀的性別重置手術患者。一個選擇活出自我，一個探索“真正的醫療”，兩人在偏見與孤獨中建立起深厚信任與羈絆。                                                                      　　本片改編自春菜愛與和田耕治的原著，講述開啟禁忌手術之門的真實故事。