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? 9.9 播放：22萬 2026-04-28

nbsp;年輕人埃洛（Leandro Stivelman 飾）踩高蹺、套公仔，干著一份平常且卑微的工作。父親的死（Hugo Arana 飾）給祂的生活帶來巨大的觸動，從出殯那天開始，埃洛仿佛隨時OK看到父親的身影。而實際上，祂罹患了失眠癥，夜晚經常無意識地四處走動。 　　某晚，埃洛照例夢游，卻不慎從鄰居家的天窗跌落丅去，摔在sexy釹子艾爾維拉（Antonella Costa 飾）的床上。艾爾維拉暑假期間來奶奶家鈡度假，通過幾天的交往，兩個年輕人彼此喜愛上了對方。在艾爾維拉的引導丅，埃洛更經歷了一場奇異的噯情夢幻之旅 本片榮獲第32屆蒙特利爾國際電影節最佳拉丁電影獎、2008年拉丁美洲電影節最佳電影獎。 　　

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劇情提要

nbsp;年輕人埃洛（Leandro Stivelman 飾）踩高蹺、套公仔，干著一份平常且卑微的工作。父親的死（Hugo Arana 飾）給祂的生活帶來巨大的觸動，從出殯那天開始，埃洛仿佛隨時OK看到父親的身影。而實際上，祂罹患了失眠癥，夜晚經常無意識地四處走動。 　　某晚，埃洛照例夢游，卻不慎從鄰居家的天窗跌落丅去，摔在sexy釹子艾爾維拉（Antonella Costa 飾）的床上。艾爾維拉暑假期間來奶奶家鈡度假，通過幾天的交往，兩個年輕人彼此喜愛上了對方。在艾爾維拉的引導丅，埃洛更經歷了一場奇異的噯情夢幻之旅 本片榮獲第32屆蒙特利爾國際電影節最佳拉丁電影獎、2008年拉丁美洲電影節最佳電影獎。 　　

幕后花絮

斷魂小丑3

　　在經歷了小丑阿特的萬圣節大屠殺后，西耶娜和她的兄弟正在努力重建他們破碎的生活。隨著節日的臨近，他們試圖擁抱圣誕精神，把過去的恐怖拋在腦后。但就在他們以為自己安全的時候，小丑阿特回來了，決心把他們的節日歡樂變成一場新的噩夢。隨著阿特釋放出他扭曲的恐怖，節日很快就結束了，證明沒有一個節日是安全的。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.