即刻觀影
劇情賞析
編輯推薦
愛情鳥的自救
庫梅爾·南賈尼,伊薩·雷,安娜·坎普,保羅·斯帕克斯,凱爾·柏海莫,喬·克里斯特,布萊恩·克恩,莫西斯·斯托姆,賈倫·米切爾,T·C·馬特恩,格拉倫·布萊恩特·班克斯,尼古拉斯·帕森斯,安東尼·邁克爾·弗雷德里克,韋米蒂婭·埃拉恩,萊斯利·卡斯泰,Kenneth Kynt Bryan,Catherine Cohen,Kelly Murtagh,Andrene Ward-Hammond一對情侶（伊薩·雷和庫梅爾·南賈尼飾）正在互訴衷腸，結果被無意中卷入了一場謀殺迷局。洗刷罪名的過程極端又滑稽，他們必須挺過這一夜，以保住兩人的戀情和性命。
寶塔鎮河妖之詭墓龍棺
彭愚厶,曾妮,何其煒,王怡雯,郭野,周升清朝末年，城中百姓多數染上怪病。關心國家命運的禾苗希望張孝智助自己到水下地宮取得寶藏。但另有幾方勢力為了獲得地宮寶藏展開了一場大亂斗。最終，眾人發現所謂的寶藏根本子虛烏有。而導致盛京變成人間地獄的根源也非妖魔鬼怪，而是日本人人體試驗的陰謀。 張孝智與禾苗、兄弟錢眼兒、棄暗投明的黑風雙煞最終不計自身安危地準備解救盛京的危局……
遠山淡影2025
廣瀨鈴,二階堂富美,吉田羊,卡米拉·愛子,松下洸平,三浦友和,柴田理惠,渡邊大知,鈴木碧櫻1982年，英國。一位年輕有抱負的日英混血作家準備書寫其母親——1952年，英國。戰后移英的日本婦人悅子，因長女自殺而憶起在長崎的最后一段時光。悅子與婦人幸子相遇，幸子也準備和女兒出國，對新生活翹首以待。然而，作家在拼湊線索及母親的記憶碎片時，漸漸發現母親的記憶與現實相左.…..石川慶改編諾貝爾文學獎得主石黑一雄早年同名原著，雙線刻劃戰后女性掙扎求存之境，表面平靜實質波瀾不休，折射出大時代下壓抑而沉重的集體記憶與痛苦。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
兩架鋼琴
弗朗索瓦·西維爾,娜迪亞·特列什科維奇,夏洛特·蘭普林,伊波利特·吉拉爾多,阿爾芭·貝露琪,Anne Kessler,杰里米·勒溫,Marianne Pommier,Valentin Picard,Laura Caselli,Keith Farquhar,梅蘭妮·古思,帕斯夸萊·當卡,Micha?l Ma?no,Rafa?l Reves,雅尼塞·科巴卜,Guillaume Benit,Guillaume Arnoldi,Erwan Vin,Déborah Lamy在多年前的一段經歷后回到法國，鋼琴家馬蒂亞斯·福格勒將再次與他的導師埃倫取得聯系，為一場音樂會做準備。在一座公園里，他將邂逅一個與自己長得一模一樣的孩子，而這個孩子會把他引向克洛丁——一位他曾在某個時代深愛過的女人。
聯合艦隊司令長官：山本五十六
三船敏郎,加山雄三,司葉子,稻葉義男,土屋嘉男,平田昭彥1940年9月，德、意、日三國成立同盟。山本五十六被任命為日本聯合艦隊總司令，并不得不“違背自己的意愿”，接受命令對美、英、荷等國開戰。1941后12月8日零時，山本五十六親自下達了“1280”密碼命令，并親自率領部隊偷襲美國珍珠港，從而對美軍太平洋艦隊造成重創，大勝而歸。隨后山本五十六建議與美國講和，但意見未被采納。在指揮中途島戰役時，由于戰略上的重大失誤，日本海軍遭受慘重損失。形勢陡然逆轉，美軍攻勢如虹，日軍兵敗如山倒。瓜達康納島上有三萬多名日本陸軍，他們遭到了美軍飛機的晝夜轟炸，陷于絕境。山本五十六派出艦隊炮擊美軍基地，協助尚存的陸軍安全撤退。1943年4月18日，山本五十六為了鼓動前線部隊的士氣，乘坐一架轟炸機到前線視察。沒想到日軍的密碼被美軍竊取，美軍派出空軍機隊將山本五十六的座機擊落，一代軍人山本五十六就此碎尸于太平洋上空。