輕井澤夫人

★ 5.7 播放：96萬 更新：2026-04-25

大學生紫藤純一（五代高之 飾）一心想擠進上流階層，利用假期到輕井澤的高級餐館打工。幾天后，紫藤作為服務員被派往中川總業(yè)的社長中川玄一郎（土屋嘉男 飾）的別墅。在那里，紫藤對社長夫人佳子（高田美和 飾）一見鐘情，恍惚中紫藤失手滑落了餐盤，遭到中川痛責，但是佳子庇護了紫藤。 第二天，被解雇的紫藤偶然遇到了帶著兒子有一（伊藤將人 飾）的佳子。佳子離開了包養(yǎng)情人的中川，過著孤獨的生活。佳子對紫藤的遭遇表示同情，決定請他做家庭教師。紫藤抓住了進階的機會，順利地勾引上佳子。不料，在住進佳子亡姐的別墅以后，佳子的外甥女亞矢（吉川由美 飾）和她的戀人岡崎財閥的少爺雅和（五代高之 飾）盯上了紫藤。有案在身的雅和想利用紫藤偽造自己已死的假象，逃脫警方和仇家的追蹤。入夜，紫藤和亞矢如約來到岡崎的別墅，發(fā)現(xiàn)了已經(jīng)死去多時的岡崎。害怕受到牽連的紫藤匆匆將尸體掩埋，并威脅亞矢說兩個人已經(jīng)是共犯，迫使亞矢結婚。紫藤和亞矢去餐廳吃飯的時候，遇到了帶著有一的佳子。得知兩人已經(jīng)訂婚了，受到打擊的佳子默默離開了餐廳。看到佳子傷心欲絕的模樣，紫藤忍不住向她吐露了實情。為了確認真相，佳子向警方報了案，結果挖出了雅和的尸體，紫藤和亞矢被迫開始駕車逃亡，途中迎面撞上高速行進的列車，兩人當場死亡。聽到紫藤的死亡消息，佳子前往遺體安置所。在那里，酒島警視（江原真二郎 飾）告訴佳子殺害雅和的并不是紫藤。佳子親吻著被切斷了脖子的紫藤，百感交集。輕井澤的夏天，好像什么都沒發(fā)生過一樣又要結束了... 　　

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劇情簡介

大學生紫藤純一（五代高之 飾）一心想擠進上流階層，利用假期到輕井澤的高級餐館打工。幾天后，紫藤作為服務員被派往中川總業(yè)的社長中川玄一郎（土屋嘉男 飾）的別墅。在那里，紫藤對社長夫人佳子（高田美和 飾）一見鐘情，恍惚中紫藤失手滑落了餐盤，遭到中川痛責，但是佳子庇護了紫藤。 第二天，被解雇的紫藤偶然遇到了帶著兒子有一（伊藤將人 飾）的佳子。佳子離開了包養(yǎng)情人的中川，過著孤獨的生活。佳子對紫藤的遭遇表示同情，決定請他做家庭教師。紫藤抓住了進階的機會，順利地勾引上佳子。不料，在住進佳子亡姐的別墅以后，佳子的外甥女亞矢（吉川由美 飾）和她的戀人岡崎財閥的少爺雅和（五代高之 飾）盯上了紫藤。有案在身的雅和想利用紫藤偽造自己已死的假象，逃脫警方和仇家的追蹤。入夜，紫藤和亞矢如約來到岡崎的別墅，發(fā)現(xiàn)了已經(jīng)死去多時的岡崎。害怕受到牽連的紫藤匆匆將尸體掩埋，并威脅亞矢說兩個人已經(jīng)是共犯，迫使亞矢結婚。紫藤和亞矢去餐廳吃飯的時候，遇到了帶著有一的佳子。得知兩人已經(jīng)訂婚了，受到打擊的佳子默默離開了餐廳。看到佳子傷心欲絕的模樣，紫藤忍不住向她吐露了實情。為了確認真相，佳子向警方報了案，結果挖出了雅和的尸體，紫藤和亞矢被迫開始駕車逃亡，途中迎面撞上高速行進的列車，兩人當場死亡。聽到紫藤的死亡消息，佳子前往遺體安置所。在那里，酒島警視（江原真二郎 飾）告訴佳子殺害雅和的并不是紫藤。佳子親吻著被切斷了脖子的紫藤，百感交集。輕井澤的夏天，好像什么都沒發(fā)生過一樣又要結束了... 　　

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等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

幽閉空間

　　THE CONFINES is a claustrophobic thriller that follows a troubled young woman who, in a last-ditch effort at getting her life together, takes a job working nights as a security guard at an abandoned luxury apartment building. Stuck with a brusque rent-a-cop as her partner, she tries to not let her mind play tricks on her while she patrols the empty halls. But as the night progresses strange things begin to happen - and she realizes it may not all be in her head.

大明嬪妃之困斗

　　十年之后，新太子妃因病去逝，留下一子朱由校，太子消沉，王恭妃常年生病，三皇子回京被冊封，姚芊芊被囚禁……鄭貴妃誓要奪取太子之位。王恭妃心急如焚，情急之下，梅兒說出蘭心并沒有死，并回憶：原來蘭心并沒有瘋，因為她無法面對太子，請求梅兒放她走，于是梅兒送走了蘭心，并說出蘭心一直住在蓮花庵。王恭妃不顧病體，拼死懇求蘭心歸來，蘭心最終答應了王恭妃。后王恭妃逝世。鄭貴妃安排萬歷并不知情。蘭心趁機偷偷面見，告知王恭妃的死訊，最終蘭心去了吉壤，半夜三更，道士刺殺太子，梅兒追蹤，結果摔下山，蘭心趕到，救了太子，太子暈迷，并在山下發(fā)現(xiàn)了梅兒……太子醒后與蘭心相認了，后來蘭心無意中說漏嘴，無奈告訴了太子事實的真相，太子傷心欲絕。萬歷把鄭貴妃叫到跟前，斥責對王恭妃的死訊隱瞞不報，并且萬歷知道鄭貴妃派人行刺一事， 鄭貴妃被禁足。最終按皇貴妃的禮制厚葬了王恭妃