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劇情簡介
黑社會的美豔大姐，掌舵日本地下經濟命脈，龐大的金錢誘惑...
同類好片
世界末日2022
安妮·海瑟薇,杰瑞米·斯特朗,安東尼·霍普金斯,杰西卡·查斯坦,多米尼克·隆巴多茲,托芙·菲爾德舒,瑪西婭·讓·庫爾茨,泰迪·庫盧卡,邁克爾·班克斯,安德魯·波爾克爆水管
彭于晏,艾倫,周游,閆佩倫,楊皓宇,蔣雪鳴,付航,潘斌龍,卜鈺,張琪,黃炎,徐東,楊朕,楊晨汐,周彥辰,劉亦淳,普雷姆·亞達夫,景瓷,艾然銀河守門員
維多利亞·阿加拉科娃,Georgiy Bestaev,Khristina Blokhina,Valeriya Bukhina,沃爾夫岡·塞爾尼,Aleksandra Cherkasova,Artyom Chetverikov,Ekaterina Dar,Olga Degtyaryova,瓦萊麗婭·德米特里耶娃,Pavel Dorofeev,米克哈爾·弗里蒙弗,Ivan Egorov,Diana Enakaeva,Ivan Fedotov,斯維特蘭娜·伊萬諾娃,瑪爾塔·蒂莫菲娃,尤里·庫琴科,葉甫蓋尼·米羅圣誕日記
賈斯汀·哈特雷,巴萊特·道斯,艾森斯·阿特金斯,邦妮·比蒂麗婭,詹姆斯·瑞馬爾,安德里婭·舒,Vivian Full,杰夫·科貝特,亞倫·科斯塔·加尼斯,Lauren Yaffe,Jacob Mackinnon,Alexander Blaise,Samantha Smart,Baylen D. Bielitz,Sophia Carlin,Patrick K. Dooley,史蒂夫·安托努奇,Christopher Watts臨租家庭
布蘭登·費舍,平岳大,山本真理,香農·戈爾曼,柄本明,尼希,古川雁,金隆夫,小松裕司,長田涼子,保羅·安德里亞·迪·皮耶特羅,木村文哉,龜田梨紗,加奈·凱蒂,尾關伸嗣,筱崎志乃,楚南勇真自殺俱樂部2001
石橋凌 , 永瀨正敏 , 寶生舞 , 佐藤珠緒 , 野村孝 , 羅利寺西 , Joshua , 辻岡正人 , K?suke Hamamoto , Kei Nagase , 嘉門洋子 , Maiko Mori , Sayako Hagiwara , 金子貴俊 , Mika Miyakawa導演精選
情婦
Newlyweds move into their dream home where they discover a collection of 100-year-old letters from a young woman who committed suicide after being abandoned by the owner of the home.
神秘科學影院3000
本片改編自ＨＢＯ１９８８年起播映的影集，播出后廣受另類影迷的歡迎。依循該影集的特色，我們看到三層投射在電影銀幕的剪影，影片中的人正在觀賞一堆低俗可笑的Ｂ級影片。劇情安排一位邪惡的科學佛利特，他意圖以最低俗的Ｂ級影片來對人類洗腦，并進而控制人類的意志。片中被試驗的對象麥克是個平凡人物，但是他非但未被低級影片所害，反倒頗能樂在其中，并與銀幕上的主角產生頗具“笑”果的對話。本片以獨特的觀點來處理，對于新新人類，是另類電影風的最佳代表與選擇。 快戴上你的太空安全帽，一場瘋狂滑稽的旅程就要展開！一位邪惡的科學家，意圖以最低俗的B級影片來對人類洗腦，并進而控制人類的意志，最后占領地球。因此一個倒楣的平凡人麥可納爾遜被當成實驗對象，與兩個滑稽的機器人一同登上一艘宇宙飛船，被迫觀看1955年的一部爛科幻片。但是沒想到，麥可非但未被低級影片所害，反倒能樂在其中，并與銀幕上的主角產生頗具「笑」果的對話！此片是根據一個同名電視秀所改編而成，該電視秀從80年代晚期延續到90年代中期，它所造成的轟動盛況，不但有六萬名以上的瘋狂影迷，甚至還出了一本書，并拍了這部電影。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.