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鋼鐵少女：決戰(zhàn)
明日花綺羅,青柳尊哉,龍坐,ハヤテ,春田純一在20XX年，日本面臨著最后一場戰(zhàn)爭的危機，一個軍事公司開發(fā)的“大規(guī)模毀滅性超級武器”被恐怖組織奪走。同時，半機械人的克里斯·索奧托姆（Chris Saotome）被轉(zhuǎn)換為殺戮武器，遇到了一個名叫薩拉的神秘女孩....
月球奇幻旅
麥肯娜·格瑞絲,布雷迪·諾恩,比利·巴瑞特,Piper Rubio,Isaiah Russell-Bailey,Carson Minniear,奧遜·洪,Thomas Boyce,Hero Hunter,Jermaine McTizic,Tom Cain,Ashlan Rowan,Divyansh Yaduvanshi,Ken Knight,Rose Bianca Grue肖恩·利維將再次合作老搭檔二十世紀福斯，執(zhí)導新片[隕石坑](Crater，暫譯)，利維也將約翰·J·格里芬執(zhí)筆的原創(chuàng)劇本進行改編。故事被描述為科幻版的[ 伴我同行 ]，講述在月球殖民地長大的男孩，和三個小伙伴共同前往一處神秘隕石坑探秘，不料卻發(fā)生意外。影片劇本曾經(jīng)入選2015年“好萊塢劇本黑名單”。
爺孫大學路
泰勒·派瑞,Bernardo Harris,Shekeb Sekander,Xica Brewer,本·斯威利,Patricia WilliamsMadea的哥哥Joe陪同他的孫子B.J.進行了一次大學公路旅行。
養(yǎng)鬼吃人6：死亡代碼
迪恩·文特斯,Ashley Laurence,Doug Bradley在"猛鬼追魂"系列的第5集中， 手拿魔方，以"制造悲傷"著稱， 有魔力的Pinhead(道格·布拉德利)已經(jīng)返回，準備再次用他的大批的Cenobites給地球上的人們帶來地獄般的惡夢、折磨和死亡。 但是Kirsty科頓·(阿什利·勞倫斯)， 唯一已經(jīng)戰(zhàn)勝二次Pinhead的人，回來，準備再一次跟Pinhead 和Cenobites作戰(zhàn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
羅格河
米歇爾·佩吉,Art Alexakis,克里斯·科伊,邁克爾·庫立茲,盧辛達·珍妮★《羅格河》：一位年輕的女性駕車沿著羅格河旅行，可是她的車子卻神秘的消失了。失去了代步工具和通信，別無選擇，她只得接受了一位陌生人的好意在他的小屋中過夜。可是這個選擇卻讓她后悔終生。在接下來的時間里除了折磨還是折磨，難以描述的疼痛與令人恐怖的苦痛。如果你看過苦痛，你就什么都沒看過。這部電影在其他恐怖電影結(jié)束之處開始，恐懼與作嘔將縈繞觀影者始終。