影片推薦
破壞欲
琳娜·海蒂,理查德·詹金斯,米歇爾·鄧肯,烏爾里奇·湯姆森,梅爾維爾·珀波,阿斯爾·紐曼雛菊2006
全智賢,鄭雨盛,李成宰,姜大衛,林迪安從此以后
康妮·布里登,喬瓦尼·索羅菲瓦,托馬索·巴西利,巴貝蒂達·薩喬,亞歷山德羅·布雷薩內羅,Syama Rayner,安德烈亞·布魯斯基,Freya Hannan-Mills,Giorgia Trasselli,Lollo Franco二狗返鄉記
馬燦燦,李棟,胡雙全,柳秉鈺,梁棟,陶源頂級陰謀
Anders W. Berthelsen,Maria Bonnevie,Ghita N?rby,Henning Jensen,Lars Mikkelsen靈語
是元介,吳可熙,鄭人碩,楊丞琳,禾浩辰,石知田,丁寧,李國超同類精選
室友2026
莎蒂·桑德勒,克洛伊·伊斯特,比利·布萊克,莎拉·謝爾曼,艾丹·朗福德,貝拉·墨菲,賈雅·哈珀,斯托姆·瑞德,艾薇·沃爾克,娜塔莎·雷昂,尼克·克羅爾,馬丁·赫利希,亞當·桑德勒,Annalise Mishler,亞歷山德拉·西爾,Seth Fuentes,亞歷山大·詹姆森,索菲婭·岡薩雷斯,Rebecca Lynn Goldfarb,苔絲·奧貝爾,Jonathan Auguste,艾比·萬·李,本·海涅曼,邦妮·羅斯貪種滋生
Andrew Boszhardt,艾德里安·恩斯科,切爾西·吉利根,Madison Lewis獸性
歐萊雅·阿瑪拉,Damien Rebattel,Vivien Rodriguez,Claude Chaballier,Elies-Morgan Admi-Bensellam,Pierre Roux,Marinette Rafai,Renaud Vinuesa,Benjamin Cuillé,Philip Chabanon,Cendrine Lapuyade,Vincent Ribera,Bruno Séguier,Jacques Valentin河童之湄瀾怪談
龐玉龍,黃柏鈞,張沙沙,鄭曉民,何涌生毛骨悚然撞鬼經 2011夏季特別篇
片平渚,蘆田愛菜,南澤奈央,戶次重幸,武井咲,岡本梓,中山優馬,向井理,木村文乃,半海一晃,稻垣吾郎附身
阿比蓋爾·布雷斯林,大衛·休萊特,史蒂芬·麥克哈蒂,彼得·奧特布里奇,米歇爾·諾爾頓,薩曼莎·溫斯坦影視排行
一線希望
扎克瑞·萊維,喬什·杜哈明,昆汀·普萊爾,泰倫斯·特雷爾,馬歇爾·庫克,喬貝茲·威廉姆斯,弗羅瑞安娜·利馬,杰西卡·布萊克莫爾,普里亞·賈恩,詹姆斯·馬丁·凱利,施特菲·塔凱,Armida Lopez,里森·亞歷山大,Chris Dingli,Davina Reeves,Edward De Gaetano,Tucker Sparkman,杰·佩斯,George C. Owens邁爾斯·特勒將出演生存題材新片[一線希望](Not Without Hope,暫譯)。本片由魯伯特·溫萊特執導,根據同名小說改編,E. Nicholas Mariani撰寫劇本,講述2009年發生的一起劃船悲劇,4位朋友在墨西哥灣遭遇狂風暴雨后,不得不在團隊合作和耐力的終極考驗中奮力求生。
我的阿米什人雙重生活
萊克西·邁恩特里,萊薩·威爾遜,Rachel Coopes父親神秘死亡后,年輕的阿米什女子艾瑪想要體驗一些不同的東西,于是,她背著母親瑪麗,在朋友麗貝卡的幫助下,逃到英國世界去參加朗姆酒聚會。在那里,她遇到了白馬王子希思,他讓她愛不釋手。但她與他的夢幻約會被打斷了,因為他因緊急工作被叫到另一座城市。莎拉獨自留在家里體驗現代世界的所有便利設施,她的生活很快變成了一場噩夢,她在廚房發現了一具尸體,不久之后,被一個神秘人物打昏。恢復意識后,她決定逃回阿米什人的生活并躲起來,但是當偵探敲門詢問時,她意識到她必須自己尋找兇手。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
全面追緝令
摩根·弗里曼,莫妮卡·波特,邁克爾·維克特,迪倫·貝克,米卡·波瑞姆,安東·葉利欽,金·霍桑,杰伊·桑德斯,比利·伯克,邁克爾·莫里亞蒂,佩內洛普·安·米勒,安娜·瑪利亞·霍斯福德,克里斯托弗·謝爾亞歷克斯(摩根·弗里曼 Morgan Freeman 飾)是一名資歷豐富的警探,這一次,他被派遣負責國會議員女兒被綁架一案。杰姬(莫妮卡·波特 Monica Potter 飾)是負責保護被綁架女孩安全的特工,正為了自己的疏忽和失職自責不已,趁此機會,她強烈要求成為亞歷克斯的搭檔,一同偵破此案。 隨著調查的深入,一個名為加里(邁克爾·溫科特 Michael Wincott 飾)的男人浮出了水面,除了綁架了議員的女兒,他還和城中發生的數起綁架案有著千絲萬縷的聯系。亞歷克斯和杰姬隨即展開了歲加里的追捕,然而,老奸巨猾的加里并不會輕易的被警方捕獲,恰恰相反,在不知不覺間,亞歷克斯走入了加里所設下的彌天陷阱之中。