長(zhǎng)春花園

　　昭熙（趙胤熙 飾）的幸福家庭一夕變調(diào)，不僅目睹丈夫昌秀（許棟元 飾）在眼前上吊，腹中寶寶也不幸流產(chǎn)。尚未走出喪偶傷痛的她不顧姐姐惠蘭（金姝憐 飾）勸阻，搬到丈夫留給她的一棟郊區(qū)花園別墅，但昭熙入住后，發(fā)現(xiàn)這棟房子充滿揮之不去的恐懼詭異感，仿佛有某種毛骨悚然的存在正在詛咒著自己，隨著駭人命案接二連三發(fā)生，這棟別墅的秘密似乎也被慢慢揭開…

黑色城堡

Young professor Anton Kosmich studies the history of Belarus. One day he is mystically transported to the Middle Ages, where he will have to unravel the secrets of the past millennia.

大廚

　　德高望重的亞歷山大（讓·雷諾 Jean Reno 飾）多年來一直是米其林餐廳的三星主廚，但是近來他的境遇卻屢現(xiàn)危機(jī)。當(dāng)下的法國(guó)料理界正是”分子料理”風(fēng)靡，傳統(tǒng)料理日漸衰落的時(shí)代，亞歷山大所堅(jiān)持的傳統(tǒng)料理很有可能會(huì)在即將到來的星級(jí)評(píng)審中落敗，餐廳的小開更是翹首以盼可以就此炒了他。正當(dāng)亞歷山大焦頭爛額之時(shí)，一名名不見經(jīng)傳的小廚師杰克（邁克爾·揚(yáng) Micha?l Youn 飾）出現(xiàn)了，杰克是亞歷山大食譜的忠實(shí)追隨者，卻因?qū)α侠淼目駸峁虉?zhí)屢次失業(yè)，只好在養(yǎng)老院找了份油漆工作。一個(gè)偶然的機(jī)會(huì)，亞歷山大讓杰克到他的餐廳實(shí)習(xí)，杰克與生俱來的料理天分和另辟蹊徑的烹調(diào)創(chuàng)意令亞歷山大大為賞識(shí)，很快成為其左右手。星級(jí)評(píng)審越來越近，兩位傳統(tǒng)烹飪大師的合作能否在挑剔的”分子料理”派面前力挽狂瀾呢？

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

空氣之魂，云之精靈

　　非常棒的超現(xiàn)實(shí)科幻片,與

外星人2025

在將未婚夫留在祭壇后，梅麗莎和朋友們一起住在一間小屋里。當(dāng)珍妮被發(fā)現(xiàn)在樹林里被肢解，外星人襲擊了國(guó)家時(shí)，女孩們必須為生存而戰(zhàn)。

瑪?shù)铝盏默數(shù)铝?/h3> 海倫娜·霍華德,米蘭達(dá)·裘麗,莫莉·帕克,奧奎·奧克波克瓦西里,蘇妮特·瑪尼,費(fèi)利佩·博尼拉,麗莎·薩爾斯,寇蒂斯·庫(kù)克,雷納爾多·皮涅拉,邁拉·盧克利希亞·泰勒,茱莉·塞爾達(dá),達(dá)娜·埃斯科爾森,蘇澤特·古恩,邁克·霍奇,亞歷山德拉·塔塔爾斯基

　　《瑪?shù)铝盏默數(shù)铝铡肥敲绹?guó)女導(dǎo)演約瑟芬·戴克最新的一部作品。這部電影講述了一個(gè)戲劇導(dǎo)演，在創(chuàng)作她最近的作品時(shí)所產(chǎn)生的故事。這也是約瑟芬·戴克的第14部作品。作品中的角色和她本人頗為相似，同樣作為導(dǎo)演的她，也是一名演員。戴克以往的作品，總是帶著一定程度上的形式化的美感，也顯露著女性特有的細(xì)膩。在她的作品中，鏡頭更像是一雙可以無限接近角色人物的眼睛，時(shí)刻捕捉著主觀視角下的人物的行動(dòng)和當(dāng)時(shí)的情內(nèi)心狀態(tài)。