五克拉的愛情
珠寶商文生的美麗妻子，卻赫然發(fā)現(xiàn)丈夫自殺的背后，光鮮外表下其實(shí)早就傾家蕩產(chǎn)。 寂寞的瑪麗安嗜酒澆愁，在意識(shí)清醒的邊緣徘徊度日，直到她意外發(fā)現(xiàn)丈夫生前藏匿的鉆石，開始卷進(jìn)一重懸疑的珠寶交易，瑪麗安決定重拾自己對(duì)鉆飾的專業(yè)和熱情，捍衛(wèi)自身的安全并找出丈夫的死因。在一連串尋訪的過程中，她遇見了丈夫生前的情婦，而自己多年前的舊情人也意外出現(xiàn)新的紛爭(zhēng)即將上演。 凱瑟琳德納芙憑本片獲得威尼斯影展最佳女主角、并再次登上凱撒獎(jiǎng)影后寶座，本片入圍威尼斯影展金獅獎(jiǎng)、凱撒獎(jiǎng)11項(xiàng)提名，也是2002臺(tái)北電影節(jié)參展作品。法國巴黎的凡登廣場(chǎng)Place Vendome聚集了世界著名的珠寶店。瑪麗安(凱瑟琳德納芙飾)是巴黎珠寶商文生的美麗妻子，卻赫然發(fā)現(xiàn)丈夫自殺的背后，光鮮外表下其實(shí)早就傾家蕩產(chǎn)。寂寞的瑪麗安嗜酒澆愁，在意識(shí)清醒的邊緣徘徊度日，直到她意外發(fā)現(xiàn)丈夫生前藏匿的鉆石，開始捲進(jìn)一重懸疑的珠寶交易，瑪麗安決定重拾自己對(duì)鉆飾的專業(yè)和熱情，捍衛(wèi)自身的安全并找出丈夫的死因。在一連串尋訪的過程中，她遇見了丈夫生前的情婦，而自己多年前的舊情人也意外出現(xiàn)新的紛爭(zhēng)即將上演。片是近年來凱瑟琳丹尼芙極度精采的作品之一，可算是女導(dǎo)演特別為她量身定作的角色，凱瑟琳丹尼芙在本片中精湛詮釋這個(gè)時(shí)而雍容華貴，時(shí)而憔悴爛醉的美麗女人，在丈夫死后遇見情敵的落寞，發(fā)現(xiàn)自己必須清醒才能找出真相的頓悟決心，還有為自己化險(xiǎn)為夷的聰穎自信，都在她舉手投足、一個(gè)眼神之間，情感直入人心、令人動(dòng)容，完美的演技也為她摘下威尼斯影后。
即刻觀影
劇情賞析
編輯推薦
地平線2024
凱文·科斯特納,西耶娜·米勒,薩姆·沃辛頓,吉娜·馬隆,歐文·克勞肖,塔坦卡·米恩斯,艾拉·亨特,蒂姆·金尼,丹尼·赫斯頓,柯林·坎寧安,斯科特·黑茲,湯姆·佩恩,阿比·麗,邁克爾·魯克,威爾·帕頓,喬治亞·麥克菲爾,道格拉斯·史密斯,盧克·威爾遜,伊莎貝拉·弗爾曼,杰米·坎貝爾·鮑爾,亞歷杭德羅·埃達(dá),Wasé Winyan Chief,邁克爾·安格拉諾,安古斯·麥克菲登,喬恩·比弗斯,亞歷克斯·尼布理,艾蒂安·凱利奇,Amos Jason Charging Cloud,博迪·奧庫馬·林頓,格雷戈里·克講述美國西部在南北戰(zhàn)爭(zhēng)15年間的多方面擴(kuò)張及聚居，這段史詩般的旅程充滿了危險(xiǎn)和陰謀。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
外星+人
柳俊烈,金宇彬,金泰梨,蘇志燮,廉晶雅,趙祐鎮(zhèn),金義城,李荷妮,申正根,李時(shí)勛該片講述了道士們爭(zhēng)奪傳聞中神劍的高麗末期和外星人出沒的2022年之間的時(shí)光之門被打開后，引發(fā)的異想天開的故事。
幻嗅
Ronnie Lazaro,Janine Gutierrez,Paul Jake Paule,Hazel OrencioHilarion Zabala，一名前軍士長(zhǎng)，被一種奇怪的氣味折磨著。診斷是幻覺，即嗅覺幻覺，他感知到的氣味實(shí)際上并不存在。他的醫(yī)生將此歸因于過去的創(chuàng)傷，并建議他直面并回憶自己黑暗的服役期作為解決方案。扎巴拉愿意承擔(dān)任何任務(wù)，自愿訪問軍事基地，最終被分配到一個(gè)偏遠(yuǎn)的島嶼流放地。然而，另一個(gè)可怕的現(xiàn)實(shí)在那里等待著他。從宗教流血到侵犯婦女人權(quán)，人類造成的各種形式的暴力在結(jié)構(gòu)上和日常生活中仍然普遍存在。在暴力時(shí)代，如何實(shí)現(xiàn)正義和救贖？用于防止暴力的暴力行為是否有正當(dāng)理由？深沉的痛苦通過沉思的黑白圖像反映出來。（BOO Kyunghwan）
東北警察故事3
謝苗,林曉杰,崔志佳,黃米依,伍允龍,馬千壹,張磊,馮瑤,唐鑒軍,田娃,吳莫愁李紅旗要辦婚禮了！本想婚禮一切從簡(jiǎn)，但彪悍熱心的丈母娘（林曉杰 飾）堅(jiān)持做主想大操大辦，李紅旗不得不飛往海角，落地后卻得知飛機(jī)鄰座女孩昕昕（馬千壹 飾）被人販子拐走。面對(duì)兇殘狡猾的犯罪團(tuán)伙，李紅旗與當(dāng)?shù)剞k案風(fēng)格迥異的警察孫彪（崔志佳 飾）強(qiáng)強(qiáng)聯(lián)手，在婚期逼近的倒計(jì)時(shí)中和人販子頭目秦葉蓉（黃米依 飾）及賣魚佬（伍允龍 飾）展開殊死搏斗。婚禮籌備笑料百出，辦案追兇驚心動(dòng)魄——紅旗不倒，正義不休假！看李紅旗如何罪犯、幸福兩手抓。
懸案密碼3：信仰的陰謀
尼古拉·雷·卡斯,法瑞斯·法瑞斯,帕爾·斯維爾·哈根,雅各布·豪伯格·羅曼,阿曼達(dá)·科林,約翰·路易斯·施密特,雅各布·奧福特布羅,索倫·比爾馬克,邁克爾·布羅斯楚普,莫滕·基爾斯果,洛特·安德森《懸案密碼》系列的第三部：6年前，一只在海上漂流的瓶子在蘇格蘭被打撈上岸，然而里面的求救信卻被視為不祥之物，直到一位調(diào)查人員無意中看出了信件開頭用丹麥文寫著：救命！隨著卡爾和兩名下屬的破解，他們發(fā)現(xiàn)署名“保羅”的作者不僅確有其人，而且在寫下瓶中信后便下落不明...... 為何少年的家人不曾追究他的行蹤？難道他在多年前便已遭遇不測(cè)？正當(dāng)調(diào)查陷入膠著，一起離奇車禍讓原本天衣無縫的邪惡罪行露出破綻，串起所有線索的卡爾這才明白，自己面對(duì)的并不單是一樁陳年舊案，而是過去十幾年來，許多破碎家庭的絕望呼救…