國(guó)產(chǎn)金雞

0.1 播放:80萬(wàn) 更新:2026-04-26

從內(nèi)地到香港工作的金雞,曾多次以假證來(lái)港做雞,亦多次被警方拘捕。可是,又有快感,又有錢賺的工作性質(zhì),令金雞無(wú)法抗拒。當(dāng)她首次偷渡來(lái)港之時(shí),是在一所卡拉OK做「小姐」為生,其后她在油尖旺接客,跟負(fù)責(zé)睇場(chǎng)的發(fā)生了感情,可惜他為了保護(hù)金雞得罪人,唯有著草逃走。及后,金雞更跟大家姐雪茄英在骨場(chǎng)做按摩小姐,卻重遇了強(qiáng)

播放通道

詳細(xì)簡(jiǎn)介

從內(nèi)地到香港工作的金雞,曾多次以假證來(lái)港做雞,亦多次被警方拘捕。可是,又有快感,又有錢賺的工作性質(zhì),令金雞無(wú)法抗拒。當(dāng)她首次偷渡來(lái)港之時(shí),是在一所卡拉OK做「小姐」為生,其后她在油尖旺接客,跟負(fù)責(zé)睇場(chǎng)的發(fā)生了感情,可惜他為了保護(hù)金雞得罪人,唯有著草逃走。及后,金雞更跟大家姐雪茄英在骨場(chǎng)做按摩小姐,卻重遇了強(qiáng)

同類推薦

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

我爸救了圣誕節(jié)2

圣地亞哥·塞古拉,埃內(nèi)斯托·塞維利亞,Pablo Chiapella

  一家玩具公司的狡猾主管綁架了圣誕老人,這對(duì)父子必須挺身而出,營(yíng)救圣誕老人,拯救圣誕節(jié)。

蝸牛籃球隊(duì)

輪椅籃球經(jīng)常與殘疾人運(yùn)動(dòng)聯(lián)系在一起。然而,輪椅籃球是一項(xiàng)適合殘疾人和非殘疾人的運(yùn)動(dòng)。受20世紀(jì)90年代被稱為“球場(chǎng)上的狐貍”的國(guó)家隊(duì)教練李元宇及其門徒教練韓薩炫對(duì)輪椅籃球的奉獻(xiàn)精神的啟發(fā),這部真人動(dòng)作運(yùn)動(dòng)故事講述了一位中年籃球明星,一位傲慢的籃球天才,以及因事故而擁有圓形鋼腿的男子。他們一起通過(guò)輪椅籃球團(tuán)結(jié)起來(lái),追求自己的夢(mèng)想。

一馬當(dāng)先

Biju Menon,阿西夫·阿里,Miya George

  退休的副警察局長(zhǎng)烏達(dá)亞巴努(Udhayabhanu)在電視節(jié)目中講述了他職業(yè)生涯中的一些事件。這就是他如何揭示其職業(yè)生涯中具有里程碑意義的 “切帕南托塔案 ”中耐人尋味的細(xì)節(jié)。當(dāng)嚴(yán)厲的巡回督察賈亞山卡爾(Jayashankar)和巡警卡爾蒂克(Karthik)開始一起工作時(shí),一連串的事件就開始了。他們經(jīng)常因?yàn)樘幚砬闆r和解決問(wèn)題的方法不同而發(fā)生沖突。在家人、朋友、敵人和上司的注視下,他們以各自獨(dú)特的風(fēng)格,試圖解開糾纏不清的困境。誰(shuí)能迎接挑戰(zhàn),又能以多快的速度完成任務(wù)?

大話修仙

孫槐志

  一天欣欣來(lái)到一家古董店,連呼數(shù)聲有人么,不見有人回應(yīng),偌大的古董店空無(wú)一人。由于好奇心的驅(qū)使欣欣不管三七二十一自?shī)市蕾p起來(lái),不斷的被眼前的物品所震懾所陶醉,就在此時(shí)突然有一人出現(xiàn),嚇了欣欣一跳。此人行徑古里古怪,不過(guò)欣欣也沒有放在心上,欣欣與其交談數(shù)據(jù)之后又繼續(xù)欣賞起古董來(lái),然而奇怪的事情就在此時(shí)悄然發(fā)生了……