盧迪（凱內(nèi)爾·穆德盧佐 Kornél Mundruczó 飾）從小就成長(zhǎng)在孤兒院中，他剛一出生就被父母無(wú)情的拋棄了，從來(lái)都沒(méi)有感受過(guò)親情的滋味。17歲時(shí)，對(duì)父母的思念在盧迪的內(nèi)心里愈演愈烈，他決定動(dòng)身去尋找他們的蹤跡。但很快，殘酷的現(xiàn)實(shí)就讓盧迪知道，他的存在對(duì)于他的親人們來(lái)說(shuō)或許并非一件好事。　　一次偶然中，盧迪得到了一次試鏡的機(jī)會(huì)。導(dǎo)演被盧迪身上所散發(fā)出來(lái)的陰郁氣質(zhì)深深的吸引了，認(rèn)為他就是扮演自己電影里角色的不二人選。可是造化弄人，導(dǎo)演并不知道，眼前的這個(gè)年輕人，正是他早些年間拋棄的兒子。

艾娃是一位受人歡迎的教師，她的丈夫是當(dāng)?shù)氐氖虚L(zhǎng)。盡管他背叛了她的信任，她仍然計(jì)劃支持他的競(jìng)選活動(dòng)，因此她開(kāi)始在當(dāng)?shù)氐囊粋€(gè)難民中心做志愿者。在這里，她與18歲的難民阿米爾親近起來(lái)，他的詩(shī)歌才華深深吸引了她。然而，他們?cè)阶咴浇龑?duì)局勢(shì)的掌控就越少。這部關(guān)于禁忌之愛(ài)的戲劇《別叫我媽媽》讓主角們面臨道德考驗(yàn)，同時(shí)挑釁性地探討了虛偽如何偽裝成慷慨。充分利用了自己作為選角導(dǎo)演的經(jīng)驗(yàn)，尼娜·克納格從演員皮婭·蒂耶塔、克里斯托弗·約納和塔雷克·扎亞特那里得到了出色的表現(xiàn)。

　　Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.

 依據(jù)1922年的兇殺案改編，描寫(xiě)販賣(mài)私酒的匪幫和警方角力的故事。影史第一次以盜匪當(dāng)主角，運(yùn)用背面打光和煙霧，頗具藝術(shù)風(fēng)格，廣受歡迎，也預(yù)示40年代黑色電影的來(lái)臨。