天才的愛戀

★ 3.3 播放：88萬(wàn) 更新：2026-04-25

別名：高潮的日記 電影版艷照門 一個(gè)攝影師和她的女朋友在鄉(xiāng)下過了一個(gè)夏天，并且排了許多的親密照片，可以后來這些照片卻被公開展覽了

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劇情簡(jiǎn)介

別名：高潮的日記 電影版艷照門 一個(gè)攝影師和她的女朋友在鄉(xiāng)下過了一個(gè)夏天，并且排了許多的親密照片，可以后來這些照片卻被公開展覽了

導(dǎo)演精選

蟲2025

柾木在大學(xué)好友池內(nèi)的邀請(qǐng)下去觀看舞臺(tái)劇，并被登臺(tái)表演的芙蓉所吸引。然而，他逐漸開始懷疑芙蓉與池內(nèi)之間的關(guān)系。于是柾木與一個(gè)對(duì)芙蓉心懷厭惡的神秘女子小林合作…… 　　影片根據(jù)江戶川亂步的同名中篇小說改編。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

多莉

 瑪西，一位年輕女子，被一個(gè)面目猙獰的怪物擄走，這個(gè)怪物一心要把她當(dāng)作自己的孩子撫養(yǎng)長(zhǎng)大。