劇情縱覽
明治中期,九州賭徒幫派矢野組組長(zhǎng)被人暗殺,其獨(dú)女龍子(藤純子暫無(wú)內(nèi)容飾)解散幫會(huì),以父親尸體旁遺落的錢(qián)包為線(xiàn)索四處尋找兇手。龍子懷揣小太刀,五年間走遍全國(guó)各地的賭場(chǎng),因出色的賭技而贏得“紅牡丹阿龍”的綽號(hào)。
明治中期,九州賭徒幫派矢野組組長(zhǎng)被人暗殺,其獨(dú)女龍子(藤純子暫無(wú)內(nèi)容飾)解散幫會(huì),以父親尸體旁遺落的錢(qián)包為線(xiàn)索四處尋找兇手。龍子懷揣小太刀,五年間走遍全國(guó)各地的賭場(chǎng),因出色的賭技而贏得“紅牡丹阿龍”的綽號(hào)。
第一次出國(guó)的艾莉西亞從加州到了南美,并和表姐的朋友們一起,踏上了一段遠(yuǎn)離城市的旅程。然而表姐半途有事而返,留下她與三個(gè)陌生人。這三個(gè)陌生人中,一個(gè)是時(shí)不時(shí)做出奇怪舉動(dòng),說(shuō)話(huà)不顧后果,甚至有虐 待傾向的同性戀,一個(gè)是郁郁寡歡,總是板著面孔,似乎對(duì)艾莉西亞做的任何事都不滿(mǎn)意的大姐,還有一個(gè)是表姐那個(gè)看起來(lái)雖然友善,卻癡迷于催眠術(shù)的男朋友。面對(duì)陌生的國(guó)度,奇怪的人,空蕩的房間,狂野的世界,艾莉西亞脆弱的神經(jīng)不斷受到挑戰(zhàn)。失眠、夢(mèng)魘、幻覺(jué)帶來(lái)了焦慮、驚恐、不安,艾莉西亞要怎樣走完這一段旅程,又是否能脫離險(xiǎn)境?
民國(guó)年間,上海灘閘北區(qū)保德路發(fā)生一樁命案,死者后來(lái)經(jīng)過(guò)確認(rèn),竟然是馬源商會(huì)老板馬廣則。 多年來(lái),馬源商會(huì)在閘北一直都頗具影響力,馬廣則更是最被看好的商界風(fēng)云人物,他的死打破了閘北區(qū)原本的寧?kù)o。
不久前剛剛得知自己懷孕的艾瑪(布麗特·摩根 Brit Morgan 飾),懷著異樣復(fù)雜的心情隨同尚不知情的男友麥克(希斯·戴維·米切爾 Seth David Mitchell 飾)來(lái)到一處位于雪山冰原之間的小鎮(zhèn)度假。無(wú)垠曠野,萬(wàn)籟俱寂,看似一切都是那么浪漫美好,但是他們駕駛雪地摩托時(shí)遭遇事故,二人相互攙扶,勉強(qiáng)回到帳篷。在完全沒(méi)有信號(hào)的深山腹地,麥克他們不僅要對(duì)抗嚴(yán)苛冰冷的自然環(huán)境,還要承受莫大的精神壓力盡快修好雪橇摩托逃離此地。 在此過(guò)程中,二人間爆發(fā)著爭(zhēng)吵,而更大的危機(jī)正漸漸向他們逼近。直到某天,艾瑪意外變成了這座山林中的孤身一人……
Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth. With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50. Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned. Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.