24次曝光

評(píng)分:6.8 播放:15萬(wàn) 更新:2026-04-27

這部性感驚悚片講述一名精于色情照片的攝影師,在其中一名模特死亡后涉嫌謀殺的故事,《你是下一個(gè)》制作人出手打造....   

劇情簡(jiǎn)介

這部性感驚悚片講述一名精于色情照片的攝影師,在其中一名模特死亡后涉嫌謀殺的故事,《你是下一個(gè)》制作人出手打造....   

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沃拉甘·羅娜瓦查拉,Akarin Akaranitimaytharatt,Passornkorn Chirativat,緹拉娜·友薩奴,Nutjaree Horvejkul,Numchok Thanatram,Natee Aekwijit,滬瓦隆·威伍颯,Sara Holher,Worachart Thumwijin

  高速公路:琵姆是高速公路收費(fèi)站夜班收費(fèi)員。凌晨三點(diǎn)鐘在她當(dāng)值的時(shí)候,一股邪惡力量正在威脅她的生命。 一夜情:譚是一個(gè)繪畫(huà)修復(fù)者,喜歡參加各種派對(duì)和夜店。一天,譚遇見(jiàn)了一個(gè)神秘、性感的女人娜潘,并對(duì)她一見(jiàn)鐘情。第二天凌晨三點(diǎn)鐘,他找到娜潘并跟隨她到她家。這個(gè)女人究竟是誰(shuí)? 電視直銷(xiāo):山姆是一檔電視購(gòu)物節(jié)目的導(dǎo)演。他的組員和主持人打算合伙捉弄他。他們密謀了一系列奇異的事件,想要報(bào)復(fù)一下這個(gè)自大的導(dǎo)演。凌晨三點(diǎn)鐘,導(dǎo)演助理歐接到了山姆女朋友的電話(huà),她打電話(huà)來(lái)是告訴他,山姆在來(lái)電視臺(tái)的路上出車(chē)禍死了。歐試圖把這個(gè)消息告訴組員們,但是沒(méi)人相信他的話(huà)。這時(shí),所有燈瞬間熄滅,惡作劇開(kāi)始了……

川流不“熄”

楊新鳴,胡昌霖,涂松巖,代樂(lè)樂(lè),楊童舒,鞏崢,何賽飛,林永健,畢克辰

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紅衣新娘2022

莎拉·菲爾伯鮑姆,愛(ài)德華多·諾列加,安娜·加列娜,迪諾·阿布雷夏,克里斯蒂娜·多納迪奧,Maurizio Marchetti,馬西莫·吉尼,羅伯塔·吉拉魯索,Odette Adado,Ippolita Baldini,Angie Balzan,Mariangela Casalucci,Malich Cissé,Angele Galea,巴基薩·梅加,Gino Nardella, 瑪麗西亞·S·佩雷斯,Stefano Pesce,Francesca Rocco,Esmeralda Spadea

  Roberta e Leòn sono due quarantenni precari che inscenano un finto matrimonio per intascare i soldi degli invitati. I due protagonisti si incontrano casualmente su un autobus a Malta quando a lei si rompono le acque e viene trasportata in ambulanza all'ospedale dove partorisce un bambino. Leòn, giornalista di guerra senza incarico, accetta la proposta di Roberta e parte insieme a lei per la Puglia dove organizzano un finto matrimonio allo scopo di dividere i soldi che gli invitati metteranno nelle buste per gli sposi, visto che la famiglia di Roberta è molto benestante e molto conosciuta in Puglia. Il fratello di Roberta cerca di far saltare il matrimonio per ragioni d'interesse. La sera prima del finto matrimonio i due protagonisti vivono una notte d'amore e la mattina seguente lui si dichiara, ma lei lo respinge e insiste per il finto matrimonio celebrato da un falso prete, amico di Leòn. Il fratello di Roberta chiude il finto prete in un capanno e quindi il matrimonio viene celebrato dal parroco del paese ed è valido legalmente. Rientrati a Malta, però, Leon va via lasciando a Roberta tutte le buste regalate il giorno del matrimonio dagli invitati. Un anno dopo Leòn presenta il suo primo romanzo di successo dal titolo Sposa in rosso. Roberta si avvicina all'autore per farsi dedicare una copia del romanzo e lui nella dedica le scrive A MIA MOGLIE. I due vanno a passeggiare insieme sul mare e Roberta gli dice di aver amato in particolare il finale del romanzo e gli rilegge l'ultima frase "avevamo tutto il tempo per rimediare" e si avviano insieme verso il chiosco Vite Parallele.

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

殺的就是你

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 一個(gè)從事打掃工作的女子為紐約一座摩天大樓中的富人家工作,卻被告知這里有一個(gè)供奉撒旦的邪教,每個(gè)月要?dú)⒁粋€(gè)人作為祭品,“今晚,選中了你……”

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在一場(chǎng)毀滅性的颶風(fēng)中,一個(gè)沿海小鎮(zhèn)正奮力對(duì)抗大自然的憤怒以及鯊魚(yú)的襲擊。在傾盆大雨、飛散的殘骸和伸手不見(jiàn)五指的黑暗中,他們團(tuán)結(jié)一心,勇敢面對(duì)致命的掠食者,努力在風(fēng)暴中生存下來(lái)。

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