Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　尼科的夢想要實現了！他和他的父親可以成為圣誕老人馴鹿隊的一員。然后突然斯特拉出現了，想要占有他的位置。雖然他們都在爭奪這個位置，但他們也成了朋友。但是，圣誕節前一天，雪橇被偷了！圣誕節有被取消的危險，只有尼科能救它。

　　西雅圖發生一宗商店殺人案，曾被告謀殺親妻的法醫大衛前往勘驗。 無意中卻在兇案現場發現與妻子遭謀害時的相同線索，于是他決定展開調查。 然而調查工作始終毫無展獲，直到他在募款晚會中結識一位美麗的神經學教授瑪莎。 瑪莎正研究某種特殊配方藥劑，可將老鼠的記憶力進行移植。 這使得大衛突發其想，偷走藥劑并將死者的記憶力注入自己體內進行人體試驗，好一睹兇案經過，找出兇嫌破案。　　就在大衛一心想幫助警方破案的同時，兇嫌卻在與警方對峙時中槍身亡。 失去唯一線索的大衛，只能借用已死兇嫌的記憶找出下一步線索。 原以為到此即將結束的兇案及往日冤屈，卻在大衛親身體驗已死兇嫌的記憶過程中全面翻轉。 他發現了攸關自身的天大謊言…

前世將軍養女與兄長因禁忌之戀生死相離，今生化身白蛇與姐妹游戲人間，卻愛上舊人之子，在宿命糾葛下開啟極致人妖虐戀。