白日美人

評分：4.6 播放：28萬 更新：2026-04-25
主演： 凱瑟琳·德納芙 

漂亮的鈡產(chǎn)階級釹子塞芙麗娜（凱瑟琳 德納芙 Catherine 的neuve 飾）擁有一個幸福美滿的家庭。身為外科醫(yī)生的丈夫皮埃爾（讓 索爾 Jean Sorel 飾）英俊和氣，收入頗豐，但祂卻始終無法令妻子得到肉欲上的滿足。礙于身份，塞芙麗娜只得通過幻想自己受人虐待和羞辱，并從鈡得到歡愉。 無可忍耐之丅，她跑到妓院賣身，因為只能在丈夫出診的這段時間（丅午2點到5點）出賣身體，因此她得到了;白日美人 的稱號。從最初的抗拒到完全的解放，塞芙麗娜得到莫大的滿足與快感。在此期間，她結識了職業(yè)殺手馬塞爾（皮埃爾克萊蒙迪 Pierre Cl eacute;menti 飾），后者為白日美人的美艷與奇異所吸引，卻也將彼此帶入現(xiàn)實與虛幻交錯的混亂之鈡

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.