第一次性愛就有50次

2.9 播放:52萬 2026-04-25
主演:姜民宇 海日 李敏貞 

敏中和慶秀曾經(jīng)是一對敬Min因為敏貞的魯ck和不負(fù)責(zé)任的舉止而苦苦掙扎,敏貞對此感到沮喪。這兩個人不需要太多時間分手。現(xiàn)在,我是一個可以輕松聯(lián)系的朋友。一天,慶秀突然接到閔靜的電話,并陪著閔靜的大學(xué)教授Jin-seop的家。慶s得知神父和敏宗是神職人員以外的戀人。在那里,與金世op的妻子玄jo心碎。 Jin-seop和Min-jung在以工作為借口離開家時無法控制自己的身體燃燒,最終導(dǎo)致了一段不容忽視的戀愛關(guān)系。但是發(fā)生了什么事!這樣,這還沒有結(jié)束。對于Kyungsoo而言,今天不僅是一天,而且是重復(fù)的一天。慶s經(jīng)歷了時間循環(huán),這是無法理解的時間重復(fù)。

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同款熱播

妃子笑

蕭正楠,黃婉伶,黃婉君,陳逸寧,戴夢夢,朱咪咪,李兆基,江欣燕,梅小惠,謝雪心,楊羚,李思捷,王嘉明

  弘治七年,皇上在全國范圍內(nèi)大選妃子。來在同村的兩位少女鴛鴦(黃婉君 飾)和朱朱(黃婉伶 飾)相助于危險的夜路,遂互稱姐妹,共赴皇宮?! τ谏倥畟儊碚f,如果成功當(dāng)選皇妃,無論富貴貧賤都可飛上枝頭當(dāng)鳳凰,自然競爭激烈,條件也很苛刻。不光自身條件要好,還要經(jīng)過嚴(yán)格的培訓(xùn)與層層考試。但更加殘酷其實是她們各自之間的勾心斗角、爾虞我詐?! ∶鎸ΨN種的困難與危險,鴛鴦與珠珠能否闖過難關(guān)?而面對這殘酷的競爭,她們的友情是否會改變呢?

古曼童

辛迪·米蘭達(dá),納塔朋·迪洛那瓦立,Althea Ruedas,Jariya Therakaosal,Emman Esquivel

  A black magic baby outdy com that is believed to bring luck to its owner and also harm if not properly cared for

奇幻之家

趙文琪,李琦,斯琴高娃,顏勤,徐日東升,宋祉璇,來喜,天賜,張明明,孟繁淼,馬國芯,吳一熳,徐日光耀,張韶潔,趙溦,宋牧晨,王慶峰,李時雨,孫悅

  一支家庭樂隊,其中心是熱愛唱歌的年輕人張寓哲(徐日東升 飾),他與父親張皓(李琦 飾)爺爺張宏民(顏勤 飾)一同準(zhǔn)備參加家庭才藝大賽。然而,一場意外的奇怪風(fēng)暴卻改變了一切,在前往濟(jì)南的比賽途中,他們遭遇了閃電雷擊,引發(fā)了一次離奇的身體互換。這場突如其來的變化將他們卷入了一系列驚險和尷尬的境地,需要他們適應(yīng)對方的生活和角色。與此同時,單身母親李芳玲(趙文琪 飾)和她的女兒李藍(lán)藍(lán)(宋祉璇 飾)也在前往同一家庭樂隊大賽。兩個家庭在奇怪的巧合下相遇,他們決定將這個突如其來的情況變?yōu)闄C(jī)遇,臨時合并成一個全新的家庭樂隊。這個組合的形成不僅是音樂的融合,更是情感、人際關(guān)系和親情的交織。

第七天堂

珍妮·蓋諾,查爾斯·法萊爾,Albert Gran,大衛(wèi)·巴特勒,瑪麗·莫斯奎尼,格拉迪斯·布羅克威爾,埃米爾·肖塔爾,Ben Bard,喬治·E·斯通,亨利·阿爾梅塔,Lewis Borzage Sr.,Dolly Borzage,瑪麗·鮑沙其,Sue Borzage,Italia Frandi,Venezia Frandi,Frankie Genardi,Lois Hardwick,Jessie Haslett,布蘭登·赫斯特

 齊卡·羅巴斯是巴黎街道上的一名下水道工人,他希望有一天能夠成為街道清潔工。雖然他很有自信,但他缺乏宗教信仰,覺得上帝總是讓他感到失望。離他上班不遠(yuǎn)的地方,住著一個長得不好看的名叫迪安妮的女孩,她經(jīng)常被她兇惡的姐姐娜娜無緣無故地打罵。每當(dāng)娜娜覺得被生活欺騙了的時候,她就會拿起鞭子抽打迪安妮。有一次,迪安妮摔倒在水溝里,被娜娜扼住咽喉。齊卡沖出下水道,幫助迪安妮趕走了娜娜。后來,不幸的迪安妮決定用齊卡的刀子奪回自己的生活,但被齊卡阻止了。當(dāng)警察譴責(zé)迪安妮的時候,齊卡再一次沖出來告訴警察,這個女孩即將成為他的妻子。警察不太相信他所說的,因為齊卡非常同情這個女孩,邀請她到他的公寓度過一夜。他的公寓在一座高樓的第七層,迪安妮稱之為“第七天堂”。與此同時,其卡得到了想要的工作,想做更大更好的事情,而迪安妮也因為齊卡的自信心而獲得了對生活的信心,不再恐懼生活。當(dāng)她再一次遇到她的惡魔姐姐時,她姐姐想要帶走她,她奪下了娜娜的鞭子并且趕走了她。隨后,戰(zhàn)爭爆發(fā),齊卡和迪安妮分開了很長一段時間,只能通過內(nèi)心的思念保持聯(lián)系。一天晚上,齊卡被炸彈炸傷了,立即送了一個消息給迪安妮,那時她已經(jīng)成為一名軍需品制造工。幕后制作這是一個基于奧斯汀·斯特朗戲劇的感傷愛情故事,在1927年發(fā)行之后,引起極大轟動,使得主演之一讓娜·蓋諾爾迅速成為了紅星,獲得了奧斯卡最佳女演員獎,成為獲得這種獎項的第一人。這部電影的成功甚至使得二十世紀(jì)??怂构驹?937年將其配上了對白,修改成有聲電影版本。在部電影中,人物的情感生活是通過光影的絕妙使用表現(xiàn)出來的。對于空間的表現(xiàn)主義但經(jīng)過充分美國化的使用,打破了各種經(jīng)驗塑造的傳統(tǒng)視點,提供了一種嶄新的觀看方式,給人一種詩一般的想象。即便是后來版本的電影配音,也表明了導(dǎo)演波扎格的天賦才華。波扎格的這部電影既是一部美妙的情節(jié)劇,也可以被看作是一部十分優(yōu)秀的另類的戰(zhàn)爭電影。

三天

樸新陽,李民基,李來

  樸信陽飾演父親車勝道(音譯),李民基(李暋起)飾演潘神父(姓為音譯)?! ≡撈v述在為女兒舉辦葬禮的三天時間中,與寄生在死去女兒心臟中突然蘇醒的惡魔進(jìn)行斗爭的超自然電影。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.