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舒妮乃是高中應(yīng)屆畢業(yè)生，正值思春時(shí)期，對(duì)男女歡y-x愛，心存嚮往與幻想。因獨(dú)守空閨難耐，經(jīng)常春夢(mèng)。 有一天，全家到渡假中心，家順經(jīng)朋友佩怡介紹，結(jié)識(shí)女友羅玉文，而佩怡也有要好男友陳志文，都在渡假中心房?jī)?nèi)，常有親密肉體接觸?！〖翼樦檬婺?，遇到一名身體壯碩健美的游泳教練楊志雄，很快產(chǎn)生仰慕情愫，暗戀心中。當(dāng)湯舒妮得知此教練已有未婚妻，對(duì)自身僅當(dāng)兄妹之情后，內(nèi)心遭受失戀痛苦。湯舒妮之兄家順，見其妹未嘗初戀之喜，就遭失戀之苦，而感到心疼。便從中開導(dǎo)，使其妹重拾歡笑......... 　　

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大明嬪妃之登基

宋洋,何杜娟,朱一龍,陳一諾,王藝曈,王春妹,趙家林,陳思璇,關(guān)慧卿

　　太子在上朝時(shí)，建議由熊廷弼將軍去攻金兵。萬歷在鄭貴妃面前吐了血，太醫(yī)說活不過一個(gè)月。萬歷心疼鄭貴妃說，我要讓你當(dāng)皇后，我不讓常洵當(dāng)皇帝是因?yàn)?，我想讓他享清福，過平民生活，我10年不理朝政，就是為了這種生活，而鄭貴妃心里卻很生氣。她不讓大臣和皇太子覲見。三皇子要去攻打匈奴，而鄭貴妃卻說，要讓常洵留京，否則太子會(huì)繼位后殺他。三皇子領(lǐng)一萬精兵，鄭貴妃便要挾崔文生公公，把章印在假圣旨上，讓其子留京。王安公公為保護(hù)傳國(guó)玉璽，假意裝瘋。而其義子是鄭貴妃的人，一心要拿玉璽，一夜，王安見他上吊，便將玉璽藏在花瓶里，誰知他詐死，拿走了玉璽。太子與大臣談話，梅兒見苗頭不對(duì)，便放出芊芊，芊芊與樺兒相認(rèn)，痛哭不止。蘭心和碧瑤去找王庭家的女眷，希望能救太子。萬歷夜里睡覺，要喝水，可是鄭貴妃卻去拿玉璽，萬歷駕崩了。太子有要事要進(jìn)宮，而三皇子不讓，芊芊趁機(jī)出來，三皇子同意了，還要跟芊芊遠(yuǎn)走高飛。進(jìn)宮之后，知道皇帝駕崩，鄭貴妃出八雄。而金碧瑤以江南繡娘的名義進(jìn)宮，便讓女眷與八雄斗。梅兒在讓朱由校習(xí)武，鄭貴妃派人活捉太子之子，梅兒靈敏聰慧，救了由校一命。王安去找總教頭派御林軍救駕，熊廷弼將軍也回來了。芊芊為救太子，犧牲了。三皇子交出了令牌，太子答應(yīng)芊芊封她為福親王妃，芊芊便咽氣了。太子繼位，號(hào)泰昌，讓民眾減稅，讓壯士出征，喝了三大碗。封上官蘭心為敬賢妃，封金碧瑤為英德妃，李梅兒為李選侍。

怨泊

何超儀,高橋和也,白川和子,周俊偉

　　東京，一個(gè)世界知名的大城市。 Sarah (何超儀 飾) 與男友分手后，來到此地欲求購買房生產(chǎn)，并度過一個(gè)短暫而寧靜的假期，但一切事與愿違。由于美國(guó)總統(tǒng)的突然到訪東京，原定的酒店已滿?！　》康禺a(chǎn)公司將她安置在一座非常破舊廢棄令人毛骨悚然的私人民宿 “minipaku” 中 ，當(dāng)Sarah入住時(shí)，她發(fā)現(xiàn)它是由一位老婦人（白川和子 飾）經(jīng)營(yíng)的。她在那里的第一個(gè)晚上感到十分不安和可怕，噩夢(mèng)連連，并且病了起來，只能被迫留下來，更令她意外地發(fā)現(xiàn)了一具正在被寄生蟲吞噬的完整骨骼。警察局的高級(jí)警司（高橋和也 飾）接手調(diào)查，也發(fā)現(xiàn)這家民宿牽涉多宗連環(huán)離奇失蹤案件，怪事連連，警司也未能為Sarah破解。　　這座有著非常神秘力量和不明歷史的房子，與Sarah有著某種聯(lián)系。當(dāng) “minpaku” 的燈熄滅時(shí)，可怕而令人不安的景象籠罩著她，它們變得越來越真實(shí)。一場(chǎng)又一場(chǎng)可怕而離奇的噩夢(mèng)，令人不知道這是開始還是結(jié)束，似乎一切都是安排好的。

第六感1999

布魯斯·威利斯,海利·喬·奧斯蒙,托妮·科萊特,奧莉維亞·威廉姆斯,唐尼·沃爾伯格,特拉沃·摩根,彼得·安東尼·唐伯蒂斯,格倫·菲茨杰拉德,米莎·巴頓,Lisa Summerour,法爾德斯·巴姆,杰弗里·澤布尼斯

 麥克（布魯斯·威利斯 飾）是著名兒童心理學(xué)家，卻也有始終未能治愈的患者，甚至因此遭到槍擊，這名少年隨后也飲槍自斃。這給麥克帶來很大心理陰影，一年后他找到另一個(gè)癥狀很像這名患者的男孩柯爾（海利·喬·奧斯蒙 飾），并耐心的做起了他的醫(yī)生?？聽柌⒉蝗菀捉咏溈诉€是慢慢贏得 了他的信任，得知了柯爾的秘密。原來柯爾有著靈異的第六感，可以看到鬼魂。雖然這令人感到難以置信，但麥克在證實(shí)了事情的真相后還是幫助柯爾接受了這個(gè)事實(shí)?？墒蔷驮趩栴}即將得到解決的時(shí)候，麥克卻在柯爾的引導(dǎo)下，發(fā)現(xiàn)了一個(gè)更令人震驚的秘密……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

最佳拍檔4：千里救差婆

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　　紐西蘭老科學(xué)家發(fā)明一個(gè)名為“天狼星”的三棱鏡，它可將人的潛能激發(fā)，形成難以置信的超能力。但這項(xiàng)發(fā)明很快被當(dāng)?shù)匾缓谏鐣?huì)組織盯上，他們襲擊實(shí)驗(yàn)室，殺害老科學(xué)家。危急時(shí)刻，天狼星被參加實(shí)驗(yàn)的青年金剛（許冠杰 飾）和科學(xué)家的女兒莎莉（葉倩文 飾）帶出紐西蘭，來到香港?！　》蹈酆螅饎倢で髠商焦忸^佬（麥嘉 飾）的幫助，誰知黑幫尾隨而至，虜走光頭佬的妻子賀警司（張艾嘉 飾）作人質(zhì)。為救愛妻，光頭佬帶著兒子，協(xié)同金剛趕至紐西蘭……