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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
二狗返鄉(xiāng)記
馬燦燦,李棟,胡雙全,柳秉鈺,梁棟,陶源品性憨直,風(fēng)趣幽默,農(nóng)村吃百家飯長大的孤兒石二狗,在城市打工意外獲得彩票大獎五百萬,之后,他風(fēng)風(fēng)火火的回到老家,借著酒勁給鄉(xiāng)親們發(fā)錢,并且還想憑這五百萬娶村長的女兒石金鳳,但是卻遭到石金鳳的嘲笑,于是他發(fā)奮要為老家人民做點大事——修路,將修路的工程包給了金鳳城里的男朋友胡大光,以這樣顯示他的大度并期望博得金鳳的歡喜,可是卻由于經(jīng)驗的缺失和文化知識的不足,被胡大光給蒙混了,手上的錢都讓胡大光騙走了,連答應(yīng)給村里修小學(xué)的錢也被騙的一光二凈,二狗又成了一個身無分文的窮光蛋。 二狗有錢的時候,在眾多人中招聘了韓美華作為村里學(xué)校的老師,現(xiàn)在二狗沒錢了,本以為韓美華會離開石頭村,但是由于二狗的善良和執(zhí)著,早已深深的打動了美麗聰明的城里女孩韓美華。韓美華利用自己的經(jīng)驗和智慧聯(lián)手以前一直瞧不起二狗的村民們,為二狗打贏了官司。最后在韓美華的指引和村民們的幫助下,石二狗憑借自己堅韌的毅力,白手起家,帶領(lǐng)百姓發(fā)家致富開創(chuàng)了嶄新的事業(yè)。
最后的維京人
麥斯·米科爾森,尼古拉·雷·卡斯,拉斯·蘭特,蘇菲·格拉寶,卡爾多·拉扎齊,拉爾斯·博格曼,索倫·莫靈,尼可拉斯·布若,波笛·約根森,安妮特·斯托維爾拜克,麗克·路易絲·安德森,Klaus S?ndergaard,莉拉·諾貝爾,Susanne Breuning,Bue Wandahl,Peter Düring,Alfred R?ssel L?s?,Nomi Bodnia,Joel Hesse Johansen這部犯罪喜劇片講述剛出獄的劫匪安可,聯(lián)手因童年創(chuàng)傷分裂出失憶人格的弟弟曼弗雷德,共赴童年老宅掘地三尺——既要挖出當(dāng)年埋藏的贓款,更欲掘開塵封記憶的潘多拉魔盒。
銀瀑
James Ralph,艾瑞克·阿瓦利 Erick Avari,史蒂夫·巴西奇 Steve Bacic,杰德·拉姆西 Jade Ramsey,詹姆斯·C·伯恩斯,妮基塔·拉姆西 Nikita Ramsey,Alix Gitter,Tadhg Kelly,塔拉·維斯特伍德,James CavloA small town is haunted by the twin daughters of a wrongfully convicted man. Young Jordan is sent down the path to who the real killer is only to find the killer is very close to her.
空心大少爺
陳勛奇,葉倩文,午馬大光燈是富家闊少爺,由法國返回香港,繼承遺產(chǎn),怎料繼父已將全部遺產(chǎn)贈送慈善機(jī)構(gòu),遺下給他的只是四字真言:自力更生。一夜之間,闊少爺落難無家可歸,暫寄居前管家炎叔家中,與此同時,大光燈開始尋回已各奔前程的昔日四個樂隊——人行支票樂隊的隊友,是非精、檸檬頭、貓糞。貓糞是頗負(fù)名氣的舞男,是非精貪圖金錢,好逸惡勞,甘愿繼續(xù)其舞男生涯,而檸檬頭經(jīng)不斷碰壁,放棄對表妹的盲目追求,與小鳳同赴外國深造,生意則轉(zhuǎn)讓給大光經(jīng)營……
詛咒之刃
A large villa belonging to a collector that is about to be restored into a museum traps project workers who are carrying out a survey. A curse is released, killing the humans inside one by one
留低你個死人頭
William Baldwin,安琪拉·瓊斯蓋布麗(安琪拉·瓊斯 Angela Jones 飾)的童年里有一段非??膳碌慕?jīng)歷,年幼的她曾經(jīng)在兇殺現(xiàn)場親眼目睹死尸。這一段奇異的人生經(jīng)歷讓蓋布麗開始對尸體和死亡產(chǎn)生了好奇之心,這股子好奇隨著她年齡的增大越發(fā)強(qiáng)烈起來,蓋布麗甚至?xí)匾獾氖詹貓蠹埳系闹\殺新聞做成剪報冊,時時翻閱溫習(xí)?! ∵~阿密接連發(fā)生兇殺案,被害者均是養(yǎng)尊處優(yōu)的闊太太,而且無不身首異處。這起連環(huán)殺人案件很快就吸引了蓋布麗的注意,為了能夠更加接近命案現(xiàn)場,蓋布麗來到了一間專門清理命案現(xiàn)場的保潔公司應(yīng)聘成為了員工,并且在機(jī)緣巧合之下同連環(huán)殺人犯(威廉·鮑德溫 William Baldwin 飾)有了一面之緣。