愛妻不在家

? 0.4 播放：03萬 2026-04-28
主演：未知

全心為家庭奉獻的丈夫滿田突然遭逢生意失敗，只好和妻子住在朋友早麻子的家中，早麻子卻暗中誘惑滿田，起初顧慮妻子的滿田試圖拒絕她的誘惑。然而就在妻子不在家的那一天，他的心被早麻子強烈的「肉體攻擊」給動搖了！

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? 播放 愛妻不在家

劇情提要

全心為家庭奉獻的丈夫滿田突然遭逢生意失敗，只好和妻子住在朋友早麻子的家中，早麻子卻暗中誘惑滿田，起初顧慮妻子的滿田試圖拒絕她的誘惑。然而就在妻子不在家的那一天，他的心被早麻子強烈的「肉體攻擊」給動搖了！

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

雙山阻擊戰

　　回望歷史所帶來的震撼，它讓我們牢記：中華兒女只要萬眾一心，就能抵御一切來犯之敵，就能實現屹立于世界民族之林的中國夢。