哥哥和我
A暫無內(nèi)容story暫無內(nèi)容about暫無內(nèi)容Down's暫無內(nèi)容syndrome暫無內(nèi)容of暫無內(nèi)容a暫無內(nèi)容young暫無內(nèi)容man暫無內(nèi)容named暫無內(nèi)容Leon.暫無內(nèi)容After暫無內(nèi)容his暫無內(nèi)容mother暫無內(nèi)容died暫無內(nèi)容a暫無內(nèi)容hero暫無內(nèi)容struggles暫無內(nèi)容to暫無內(nèi)容stay暫無內(nèi)容and暫無內(nèi)容live暫無內(nèi)容with暫無內(nèi)容his暫無內(nèi)容sister.暫無內(nèi)容However,暫無內(nèi)容she暫無內(nèi)容is暫無內(nèi)容trying暫無內(nèi)容to暫無內(nèi)容improve暫無內(nèi)容her暫無內(nèi)容personal暫無內(nèi)容life暫無內(nèi)容and暫無內(nèi)容her暫無內(nèi)容only暫無內(nèi)容brother暫無內(nèi)容is暫無內(nèi)容an暫無內(nèi)容underdeveloped暫無內(nèi)容hindrance暫無內(nèi)容...
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馬路天使
珍妮·蓋諾,查爾斯·法萊爾,娜塔莉·金斯頓,亨利·阿爾梅塔,圭多·特倫托,阿爾貝托·拉巴利亞蒂,路易斯·利格特,彌爾頓·迪克森河流如血
泰雅·迪格斯,約翰·庫薩克,喬治·洛佩茲,盧克·海姆斯沃斯,Gianni Capaldi,布萊恩娜·伊維根,RJ·米特,Steven Berrebi,賈克琳·弗萊明,陶竤,伊薇特·帕里什惡人的道路
維尼·瓊斯,克里斯蒂安·史萊特,Emily Tennant三天
樸新陽,李民基,李來絕命47小時(shí)
亞歷山德里婭·德伯里,艾莉·瑪麗·埃文斯,湯姆·普羅克特,Amanda Marie Wilkinson,布賴恩·馬西,Annie Hamilton,Natalie Dickinson,盧克·謝爾頓 Luke Shelton,Julia Lashae,Zach Rose金童2025
張繼聰,曾志偉,韋羅莎,林雪,朱栢康,劉皓嵐,火星,邱穟恒,李靖筠,鄭丹瑞,上山詩鈉,袁富華,林燕玲同類推薦
離婚怨曲
梅根·古德,科里·哈德里克,約瑟夫·李·安德森,泰勒·波利多雷,Shannon Wallace,理查德·勞森,黛比·摩根,Mark Elliott Brewer,Sarah Girma,Adam Jerome Sperandio,喬·科馬拉,Ursula O. Robinson,Rakeem Laws,Berry Williams Jr.,Jeffrey Creightney,Delandrian Lamar Aikens,Jason McGee,Anthonique Page,Anthony JohnsThe film follows Ava, a young bank professional who is devastated when her husband Dallas abandons a marriage she is determined to fight for. But then fate intervenes, revealing Dallas’ wicked deeds that have trashed their marriage, and once upon a time sabotaged Ava’s destiny to be loved by her true soulmate.
午夜場
范夢,馮言彥,鄧先宇,歷家兵,李子雄《午夜場》講述了戲院經(jīng)理林梅(范夢飾演)與戲院大小姐子君(馮言彥飾演)是無話不談的閨蜜,在子君即將結(jié)婚前,無意間發(fā)現(xiàn)林梅好似和自己的未婚夫家俊(鄧先宇飾演)有著某種不為人知的關(guān)系。某一天,在他們工作的三十七號古宅內(nèi),一場備受關(guān)注的木偶劇目正在上演,而神秘的木偶附身也即將開始。隨著現(xiàn)實(shí)詭異畫面與林梅的夢境交織,令人意想不到的真相浮出水面!
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
死亡陰影
邁克爾·比恩,亞歷山德拉·達(dá)達(dá)里奧,布雷特·里克比,諾蘭·杰拉德·馮克,斯賓塞·李斯特,約翰·薩維奇,佩頓·李斯特,凱瑟琳·邁瑟爾,瓦倫蒂娜·德·安吉麗斯1989年,位于賓夕法尼亞州的東部礦區(qū)麥諾斯維爾小鎮(zhèn),年僅6歲的小男孩馬丁·布里斯托爾(蔡斯·佩哈切克 Chase Pechacek 飾)被人綁架。在此后的5年里,馬丁身在何處?又經(jīng)歷了什么?無人知曉。 1994年的一天,父母雙亡的少女艾莉森·米勒(亞歷珊德拉·達(dá)達(dá)里奧 Alexandra Daddario 飾)隨叔叔喬納森(邁克爾·比恩 Michael Biehn 飾)搬到麥諾斯維爾居住。這個(gè)出身大城市的女孩漸漸適應(yīng)了這個(gè)偏遠(yuǎn)鄉(xiāng)間的生活,也結(jié)識了帥氣的男孩威廉(諾蘭·吉拉德·范克 Nolan Gerard Funk 飾)。但是新生活的陽光很快退去,那幢廢棄的農(nóng)舍引起了艾莉森注意。她不知道,失蹤已久的馬丁也在黑暗中注視著他,這個(gè)男孩過早地見識了事件最為殘酷與血腥的一面……
殺出銀河系
Edward Albert星際聯(lián)盟收到探索飛船發(fā)出的求救信號后立刻派遣星際精英特種小組前去營救,由于機(jī)器故障飛船迫降到那個(gè)荒蕪且怪異的星球上。不久后,船員在星球上發(fā)現(xiàn)了那艘廢棄的飛船,但里面的飛行員都莫名其妙的死去,為了防止尸體異變,他們決定把尸體全部銷毀。隨后船員們發(fā)現(xiàn)了金字塔般的巨大建筑物,然而噩夢從此開始,他們釋放了金字塔中所有的嗜血星際怪獸,星球瞬間被恐怖包圍,喪尸怪獸一并向人們襲來,他們該如何挽救自己…… (此片精彩的沒話說,星球大戰(zhàn)般的場景加異型的特效以及著名的cult片演員們齊聚在一塊所產(chǎn)生的名詞是什么?那就是經(jīng)典~! 這部B級片的經(jīng)典程度已經(jīng)影響到未來科幻恐怖電影的發(fā)展前途,像黑洞表面之類的電影就是對其進(jìn)行無恥的抄襲。影片甚至影響了*本成人動漫的一個(gè)類型,那就是觸手系漫畫~片中有經(jīng)典的蠕蟲強(qiáng)*金發(fā)奶霸的震撼鏡頭,這就是八十年代恐怖片的魅力……)